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The San Francisco Tape Music Center 1960s Counterculture and the Avant-Garde
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The San Francisco Tape Music Center 1960s Counterculture and the Avant-Garde Unknown - 2008 - 1st Edition

by Bernstein, David W (Editor), And Rockwell, John (Foreword By), And Goebel, Johannes (Preface By)


From the publisher

This book tells the story of the influential group of creative artists--Pauline Oliveros, Morton Subotnick, Ramon Sender, William Maginnis, and Tony Martin--who connected music to technology during a legendary era in California's cultural history. An integral part of the robust San Francisco "scene," the San Francisco Tape Music Center developed new art forms through collaborations with Terry Riley, Steve Reich, David Tudor, Ken Dewey, Lee Breuer, the San Francisco Actor's Workshop, the San Francisco Mime Troupe, the Ann Halprin Dancers' Workshop, Canyon Cinema, and others. Told through vivid personal accounts, interviews, and retrospective essays by leading scholars and artists, this work, capturing the heady experimental milieu of the sixties, is the first comprehensive history of the San Francisco Tape Music Center.

Details

  • Title The San Francisco Tape Music Center 1960s Counterculture and the Avant-Garde
  • Author Bernstein, David W (Editor), And Rockwell, John (Foreword By), And Goebel, Johannes (Preface By)
  • Binding unknown
  • Edition number 1st
  • Edition 1
  • Pages 344
  • Publisher University of California Press
  • Date June 16, 2008
  • ISBN 9780520248922

About the author

David W. Bernstein is Professor of Music and Head of the Music Department at Mills College. He is coeditor, with Christopher Hatch, of Writings Through John Cage's Music, Poetry, and Art and Music Theory and the Exploration of the Past.