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The New Iranian Cinema: Politics, Representation and Identity
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The New Iranian Cinema: Politics, Representation and Identity Paperback - 2002

by Richard Tapper (Editor)


First line

In the early 1970s, a number of films by Iranian directors attracted considerable international attention, as Roy Armes notes in his seminal work Third World Film Making and the West: 1970 [saw] the appearance of a New Iranian Cinema...created by a fairly heterogeneous group of young intellectuals, many of them foreign-educated, and receiving some support from the Ministry of Culture and the state television service.

Details

  • Title The New Iranian Cinema: Politics, Representation and Identity
  • Author Richard Tapper (Editor)
  • Binding Paperback
  • Edition [ Edition: First
  • Pages 304
  • Volumes 1
  • Language ENG
  • Publisher Continnuum-3PL, U.S.A.
  • Date 2002-09-06
  • Features Bibliography, Index
  • ISBN 9781860648045 / 1860648045
  • Weight 1.04 lbs (0.47 kg)
  • Dimensions 9.28 x 6.1 x 0.9 in (23.57 x 15.49 x 2.29 cm)
  • Themes
    • Cultural Region: Middle Eastern
  • Library of Congress Catalog Number 2002726688
  • Dewey Decimal Code 791.430

Media reviews

Citations

  • Choice, 03/01/2003, Page 1190

About the author

Richard Tapper is Professor of Anthropology at the School of Oriental and African Studies, London. His books include A Taste of Thyme (edited with Sami Zubaida) and Islam in Modern Turkey (I.B.Tauris).
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The New Iranian Cinema: Politics, Representation and Identity
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The New Iranian Cinema: Politics, Representation and Identity

by Tapper, R. (ed.)

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The New Iranian Cinema: Politics, Representation and Identity
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The New Iranian Cinema: Politics, Representation and Identity

by Tapper, R. (ed)

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ISBN 10 / ISBN 13
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The New Iranian Cinema : Politics, Representation and Identity
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The New Iranian Cinema : Politics, Representation and Identity
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The New Iranian Cinema : Politics, Representation and Identity

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The New Iranian Cinema: Politics, Representation and Identity
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The New Iranian Cinema: Politics, Representation and Identity

by Tapper, R (Ed.)

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I.B.Tauris Co. Ltd., United Kingdom (2002), 2002. Paperback. Near Fine. Octavo, softcover, near fine in black pictorial wraps. Iranian cinema is today widely recognized not merely as a distinctive national cinema, but as one of the most innovative in the world. This international stature both fascinates Western observers and appears paradoxical in line with perceptions of Iran as anti-modern. 282 pp. including index.
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