On The Art Of The No Drama : The Major Treatises Of Zeami -

Princeton University Press, 1984. Paperback. Good. Disclaimer:A copy that has been read, but remains in clean condition. All pages are intact, and the cover is intact. The spine may show signs of wear. Pages can include limited notes and highlighting, and the copy can include previous owner inscriptions. At ThriftBooks, our motto is: Read More, Spend Less.Dust jacket quality is not guaranteed.

Princeton University Press, 1984. Paperback. Acceptable. Disclaimer:A readable copy. All pages are intact, and the cover is intact. Pages can include considerable notes-in pen or highlighter-but the notes cannot obscure the text. At ThriftBooks, our motto is: Read More, Spend Less.Dust jacket quality is not guaranteed.

Princeton University Press. Used - Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.

Princeton University Press, 1984-02-21. paperback. Used: Good.

Princeton University Press. Very Good. 1984. Paperback. 069110154x . This book is in very good condition; no remainder marks. It does have some cover shelfwear. Inside pages are clean. ; Princeton Library of Asian Translations; 7.80 X 5.20 X 0.90 inches; 360 pages .

Paperback. Very Good.

Princeton University Press, 1984. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Book contains pen & pencil markings. In poor condition, suitable as a reading copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,550grams, ISBN:9780691101545

Princeton University Press, 1984-02-21. Paperback. Good. Textbook, May Have Highlights, Notes and/or Underlining, BOOK ONLYNO ACCESS CODE, NO CD, Ships with Emailed Tracking

Princeton University Press, 1984-02-21. paperback. Used:Good.

Paperback / softback. New. Presents a translation of the nine major treatises on the art of the Japanese No theater, which discuss subjects from the art of the playwright to the reciprocal nature of the relationship between performer and audience.