CAFFECONCERTO/ALFABETO A SORPRESA by CANGIULLO, (FRANCESCO) - 1919: SURPRISING ALPHABET

Paris: Chez C. P. Landon. Very Good with no dust jacket. 1801. 1st Edition. First Printing. Hard Cover. 16 volumes, only, of 21. This set includes volumes 1, 2, 3, 6, 7, 8, 19, 12, 13, 14, 15, 16, 17, 19, 20, and 21. Bound in full green morocco, spines in five compartments separated by raised bands, gilt lettering in two compartments, gilt imperial eagle and floral tooling in remainder, gilt and blind-stamped borders on covers surrounding gilt imperial eagles, a.e.g., rust endpapers. Illustrated with hundreds of full-page engravings of works of art in the museums and public buildings of France. Charles Paul Landon (1760 – 1826) was a French painter and popular writer on art and artists. It is chiefly for his writing on the arts that he made a reputation. He published nearly one hundred volumes during his lifetime. Landon was among the collaborators of the influential Journal des arts, des sciences et de la littérature. He was also a part-owner of the Gazette de France,… Read More

London/Hammersmith: Kelmscott Press, 1893. Limited First Edition. hardcover. Good+. 8 5/16" × 5 11/16" × 1/2" (21.1 × 14.4 × 1.3 cm) . First State. Printed by William Morris, and published by Macmillan & Co., Bedford Street, Strand. 8vo. Bound in custom hardcover full leather with tooled design. One of 500 [at two guineas] paper copies (plus 5 [not for sale] on vellum). Printed on fine, hand-made, Batchelor (with the second version of the Primrose watermark) paper. Uncut, deckled edges. Colophon and the smaller, rectangular printer's device designed by Morris (no. 1). All edges gilt. [iv], 69, [70, imprint] pp. Printed in black and red throughout with the Golden type designed by Morris for his press, with stanza numbers in red. Woodcut title within a floral border, facing page with full woodcut floral page-border (borders 10a and 10). Numerous other floral edge borders at stanza heads. Three 12-line woodcut initial and numerous 6-line initials all designed by Morris, engraved by William… Read More

London: Longmans, Green & Co, 1901–1902. Limited First Edition. hardcover. Very Good+. 11 5/8" × 8 1/4" (29.5 × 21 cm) . First Thus. Printed by Chiswick Press. Large 4tos. Bound in publisher's original hardcover quarter Holland-backed blue paper boards, with blue linen spine and paper title label. One of 315 (of which 300 were for sale) copies. Printed on fine, hand-made, W M and floral watermarked paper. Uncut, deckled edges. Colophon. A.o.V. 238; A.I.&W. 163; H&FfA./SoC 106; & O.o.H. 293; R.o.t.M. 284; G.t.S. 177; H.o.t.W. 161 & V.S. 113 pp. A full set of the William Morris series comprising eight large quarto books printed at the Chiswick Press with the Golden type designed by Morris for his Kelmscott Press, 1901–1902. Chapter headings in red and shoulder notes in red in some volumes. Spare labels tipped in. Loose insert from the press in "Hopes and Fears for Art, Sings of Change," that reads: "It has been found advantageous to make one volume instead of two of "Hopes and Fears for Art"… Read More

Kodansha International Ltd, Tokyo, 1980 Book. Good. Hardcover. English text; Hardcover (cloth without dust jacket - as issued. In splicase.); Used books. The 11 volume set is in good condition with minor scuffs and signs of wear in the slipcases and hardcover cloths. The spines are slightly faded as usual (volume 11 - Metropolitan Museum is slightly more faded then the other volumes). Volume 5 (British Museum) and volume 9 (Freer Gallery of Art) show minor wear marks on the top of the slipcase. Far Eastern Ceramics is in very good condition showing minor signs of shelf wear, namely some marks on the front and back cover. The ribbon bookmark is slightly scuffed on the bottom. The interior of all volumes is as new.; A milestone in international ceramic documentation, this series is a brilliant presentation of the oriental ceramics collections of the world's major museums. Originally published by Kodansha in 1975 as a limited deluxe 12 volume set, this critically acclaimed and now scarce masterpiece… Read More

Hibiya Company Ltd., Hong Kong, 1976 Book. Good. Hardcover. Signed by Author(s). 1st Edition. English text; 2 hardcover volumes with dust jacket in slip case.; 27.5 x 41 x 7 cm; 5.2 kg; The 2 volumes comprise: TEXT with 98 pages and PLATES with 87 colour plates (174 images, showing the front and rear of each piece).; Volume I, minor signs of wear on the exterior. Interior in very good condition apart from a few lines on three pages from the introduction that were highlighted with a green marker.; Volume II, minor signs of wear on the exterior. Interior in very good condition.; The slipcase shows signs of wear and a small crack on top.; LIMITED EDITION OF 1,000 COPIES OF WHICH THIS IS NUMBER 733. SIGNED BY THE AUTHOR HUGH MOSS.; "In this book I believe Hugh Moss has made a quite conclusive case for the authenticity of the yu chih marked porcelains. By doing so he has corrected a far-reaching error of recent Western scholarship in the field of Ch'ing porcelain. An essential part of his case… Read More

San Francisco:: Pettingell Book Bindery / Art Hazelwood,, 2011.. Edition of 20. 12 x 13" fold-out boxed opera set with screenprinted covers. Includes miniature stage set, seven two-dimensional puppets that fit into groves in the stage floor, six engravings that act as changeable background drops, and a booklet with libretto. Engravings printed on Hahnemühle Copperplate paper and Lana Gravure paper. Screenprints printed on Hahnemühle Bugra paper and Arches Watercolor Hot Press paper. Booklet (8.5 x 5"; 24 pages) printed on Mohawk Superfine and set in Verlag, Chronicle Text, and Lithos Pro. Signed by Hazelwood. Art Hazelwood: "Tora Bora is a reverse engineered opera. The Seventeenth Century etcher Jacques Callot’s illustrations of scenes from operas inspired the thought—what if all that remained of an opera were etchings from a few scenes? How, for example, would the Magic Flute be reconstructed from that? With this in mind Art Hazelwood and Klaus-Ullrich… Read More

San Francisco:: Pettingell Book Bindery / Art Hazelwood,, 2010.. Edition of 10. 16 x 18"; 72 pages. Sixty woodcuts printed by the artist on Masa paper in editions varying in size from 25 to 50 of which numbers 11 - 20 were bound by the artist in a hand-sewn hardcover book format. Prints tipped onto Arches cover text paper. Each print numbered, titled, and signed. Art Hazelwood: "From 1986 to 1993 I traveled around the world, living in Europe and Asia and in various parts of the States. My primary interest however was traveling in Asia. The intensity of travel lured me on to see more and more. Experiences of people and places left their mark and I have tried to give back some of that feeling. The Tibetan nomads, Vietnamese 'cyclo' drivers, Japanese 'salary man,' Sikhs, Thais, and Uygurs that make up this series are the actors on an impossibly crowded world stage. It is this sometimes overwhelming encounter with the world that these prints seek to express. "Prints… Read More

Paris: Chez C. P. Landon. Very Good with no dust jacket. 1801. 1st Edition. First Printing. Hard Cover. 16 volumes, only, of 21. This set includes volumes 1, 2, 3, 6, 7, 8, 19, 12, 13, 14, 15, 16, 17, 19, 20, and 21. Bound in full green morocco, spines in five compartments separated by raised bands, gilt lettering in two compartments, gilt imperial eagle and floral tooling in remainder, gilt and blind-stamped borders on covers surrounding gilt imperial eagles, a.e.g., rust endpapers. Illustrated with hundreds of full-page engravings of works of art in the museums and public buildings of France. Charles Paul Landon (1760 – 1826) was a French painter and popular writer on art and artists. It is chiefly for his writing on the arts that he made a reputation. He published nearly one hundred volumes during his lifetime. Landon was among the collaborators of the influential Journal des arts, des sciences et de la littérature. He was also a part-owner of the Gazette de France,… Read More

This collection of original material of Jerome Myers includes two photographs of Jerome Myers, taken by Leo Grubman, one taken in 1910 [when they shared an art gallery and studio] and signed by Leo Grubman, the other taken by Grubman circa 1932. There is a photograph of his wife Ethel (photographer not identified). After his success at the Armory Show in 1911 with the sale of his painting "The Mission Tent" he was able to move into a new studio at the new Carnegie Hall building. There are two warmly personal letters with biographical items of interest plus some artistic representation. The first letter is to his friend Leo Grubman, dated January 21, 1914, and discusses with pride his daughter Virginia's dance recital and his busy schedule. There is a second letter (lacking the first page) of one page signed "Jerome" and circa 1915 of his move to Carmel, New York where he bought 18 acres in a very rustic setting (where he has made a few nice ink sketches along the margins of the letter). A small corner… Read More

Hong Kong: The East Society, 1967. First Edition, First Printing. Softcover. Quarto. 8.5 x 11.75 inches. 134 pp. Near Fine / Very Good. Bound in publisher's original illustrated stiff wraps with clear plastic dust cover. Sewn binding. Illustrated throughout with 129 black & white reproductions and one two-panel color reproduction. Edited and published by Kao Ling-mei. Text in English and Chinese. English text by Yao Hsin-nung. Text includes Foreword, Gems of Professor Chang Dai-Chien's Talks on Painting, and Chronological Notes. Top and leading edges of text block lightly foxed. Binding excellent. Original plastic dust cover lightly rubbed with some pitting and scoring. Former owners' names and date written in blue ink on copyright page (in position of title page, due to reverse Chinese format). "#104" in marker and scar of sticker removal on Chinese copyright page (verso of "front" wrap). Else, no internal markings.