Cuore Rosso: Ricordo di Enzo Ferrari by Sergio Massaro, Guido Villa - 1995

[i-viii]+[1]+301+[302-04] pages. Octavo (8" x 5 1/2") bound in original publisher's red cloth with gilt title and author's name on spine and embossed "SL" on cover in original jacket. (Pastore: 251) First state, limited to 10,000 copies with title page 1/4 inch shorter at bottom than surrounding leaves, corrected in later print run. Lewis had commented to several parties privately that Doubleday, Doran was putting too much focus on the Nobel Prize and too little on him. Word reached the publisher and the result was the addition of Lewis's initials to the olive branch motif on the cover of this and subsequent novels. The novel in an attack on the Communist left as a response the way It can't Happen Here was an attack on the totalitarian right; it deals with the "generation gap" and was soundly criticized by Lewis's former socialistic associates, Upton Sinclair, in particular, who vied the book as an apologia for middle-class values and mores, those same values and mores which Lewis had so well… Read More

New York: Charles Scribner's Sons, 1912 unpaginated with 10 color issustrations. Royal octavo (9 3/4" x 6 3/4") issued in green cloth with decorative color pictorial in gilt lettering on front cover. 1st edition. Jessie Willcox Smith (September 6, 1863 May 3, 1935) was a United States illustrator famous for her work in magazines such as Ladies Home Journal and for her illustrations for children's books. Born in the Mount Airy neighborhood of Philadelphia, Pennsylvania, Smith studied at the Pennsylvania Academy of the Fine Arts under Thomas Eakins in Philadelphia, graduating in 1888. A year later, she started working in the production department of the Ladies Home Journal, for five years. She left to take classes under Howard Pyle, first at Drexel and then at the Brandywine School. She was a prolific contributor to books and magazines during the late nineteenth and early twentieth centuries, illustrating stories and articles for clients such as Century, Collier's Weekly, Leslie's Weekly, Harper's,… Read More

London: Macmillan & Co Ltd, 1939. No dustwrapper, minor wear to spine ends, corners and lower edge of red cloth-covered boards, gilt titles on spine are rubbed but still clear, a previous owner's name on f/ep. Otherwise a good clean tight copy of this hard-cover book, a novel set among English Methodists in the early 1900s and a sequel to the author's ''Introducing the Arnisons''. Not a common book. 339pp. First Edition. Hard Cover. Good/No Jacket. 12mo - over 6¾" - 7¾" tall.

NY: Ecco Press, 1976. FINE condition in FINE dust jacket. HARDCOVER. 1976. FIRST EDITION. AS NEW, bound in maroon cloth with gilt titles in orange and green dust jacket. Square and tight, UNREAD, original price intact. Breath of toning to jacket lapels, else FINE. Cover design by Samuel Antupit. Notes, musings, essays on writing and writers. Also, first publication in book form of English Summer ~ A Gothic Romance ~ . Illustrated by Edward Gorey. Edited, with a Foreword, by Frank MacShane.. First Edition, Thus. Hard Cover. Fine/Fine.

London: Barn Elms, 1996. Very well illustrated, large horizontal quarto, pp 135, a very good copy in dustwrapper. Very well illustrated, large horizontal quarto, pp 135, a very good copy in dustwrapper. [Landscape historian Batey explores real and fictional settings of Austen's novels. In each chapter she uses a different Austen novel to discuss the style of gardens and landscapes during the early 19th century and Regency England. A continuing theme is the tension between Georgian propriety and the challenging Romantic ideals as they played out in the English landscape. Jane Austen was deeply inspired by the landscape and rural comforts of southern England. Her family's final move to Chawton, in the depths of the Hampshire countryside and so near the Steventon rectory of her childhood, gave her great satisfaction and led to her most creative period. This comprehensive work provides a guide to the ideas and subtleties behind the real and fictional settings of Jane Austen's novels, with… Read More

[i-viii]+[1]+301+[302-04] pages. Octavo (8" x 5 1/2") bound in original publisher's red cloth with gilt title and author's name on spine and embossed "SL" on cover in original jacket. (Pastore: 251) First state, limited to 10,000 copies with title page 1/4 inch shorter at bottom than surrounding leaves, corrected in later print run. Lewis had commented to several parties privately that Doubleday, Doran was putting too much focus on the Nobel Prize and too little on him. Word reached the publisher and the result was the addition of Lewis's initials to the olive branch motif on the cover of this and subsequent novels. The novel in an attack on the Communist left as a response the way It can't Happen Here was an attack on the totalitarian right; it deals with the "generation gap" and was soundly criticized by Lewis's former socialistic associates, Upton Sinclair, in particular, who vied the book as an apologia for middle-class values and mores, those same values and mores which Lewis had so well… Read More

New York: Charles Scribner's Sons, 1912 unpaginated with 10 color issustrations. Royal octavo (9 3/4" x 6 3/4") issued in green cloth with decorative color pictorial in gilt lettering on front cover. 1st edition. Jessie Willcox Smith (September 6, 1863 May 3, 1935) was a United States illustrator famous for her work in magazines such as Ladies Home Journal and for her illustrations for children's books. Born in the Mount Airy neighborhood of Philadelphia, Pennsylvania, Smith studied at the Pennsylvania Academy of the Fine Arts under Thomas Eakins in Philadelphia, graduating in 1888. A year later, she started working in the production department of the Ladies Home Journal, for five years. She left to take classes under Howard Pyle, first at Drexel and then at the Brandywine School. She was a prolific contributor to books and magazines during the late nineteenth and early twentieth centuries, illustrating stories and articles for clients such as Century, Collier's Weekly, Leslie's Weekly, Harper's,… Read More

London: Macmillan & Co Ltd, 1939. No dustwrapper, minor wear to spine ends, corners and lower edge of red cloth-covered boards, gilt titles on spine are rubbed but still clear, a previous owner's name on f/ep. Otherwise a good clean tight copy of this hard-cover book, a novel set among English Methodists in the early 1900s and a sequel to the author's ''Introducing the Arnisons''. Not a common book. 339pp. First Edition. Hard Cover. Good/No Jacket. 12mo - over 6¾" - 7¾" tall.

NY: Ecco Press, 1976. FINE condition in FINE dust jacket. HARDCOVER. 1976. FIRST EDITION. AS NEW, bound in maroon cloth with gilt titles in orange and green dust jacket. Square and tight, UNREAD, original price intact. Breath of toning to jacket lapels, else FINE. Cover design by Samuel Antupit. Notes, musings, essays on writing and writers. Also, first publication in book form of English Summer ~ A Gothic Romance ~ . Illustrated by Edward Gorey. Edited, with a Foreword, by Frank MacShane.. First Edition, Thus. Hard Cover. Fine/Fine.

London: Barn Elms, 1996. Very well illustrated, large horizontal quarto, pp 135, a very good copy in dustwrapper. Very well illustrated, large horizontal quarto, pp 135, a very good copy in dustwrapper. [Landscape historian Batey explores real and fictional settings of Austen's novels. In each chapter she uses a different Austen novel to discuss the style of gardens and landscapes during the early 19th century and Regency England. A continuing theme is the tension between Georgian propriety and the challenging Romantic ideals as they played out in the English landscape. Jane Austen was deeply inspired by the landscape and rural comforts of southern England. Her family's final move to Chawton, in the depths of the Hampshire countryside and so near the Steventon rectory of her childhood, gave her great satisfaction and led to her most creative period. This comprehensive work provides a guide to the ideas and subtleties behind the real and fictional settings of Jane Austen's novels, with… Read More