Earl Cunningham: Painting An American Eden

NY: Harry N. Abrams, 1994. Softcover. VG, small ownership stamp on title page. Blue wraps. 140 pp. 25 bw and 74 color plates. With a foreword by Lynda Roscoe Hartigan. The seductively bright colors, naive frankness, and highly detailed imagery of the paintings of American artist Earl Cunningham (1893-1977) are hard to resist. Whether depicting the Maine coast or Florida's Everglades, harbor scenes with Norse ships or American schooners, or Seminole Indian encampments, Cunningham's work comprises a major contribution to America's artistic heritage. Great attention has recently been focused on folk and outsider art, and among these artists Cunningham is remarkable, both for the length of his career and for his development from a more traditional "American Primitive," as he labeled himself in the 1930s, to a sophisticated vernacular artist in the 1960s and 1970s. In Earl Cunningham: Painting an American Eden author Robert Hobbs gives a vivid picture of the adventurous and controversial life of this self-taught artist. Choosing not to view Cunningham's work as separate from mainstream cultural trends, Hobbs shows how the artist carried on a dialogue with modern art and culture. He traces the intriguing mix of sophistication and naivete present in all of Cunningham's paintings and suggests how he might have drawn on sources such as 19th-century American marine painting, Fauvism, the art of Charles Burchfield or Milton Avery, and even Walt Disney's animated characters. Special attention is given to the artist's series, including his meditations on trains, lighthouses, storms and hurricanes, angel Gabriel weather vanes, and exotic wildlife. Earl Cunningham's intensely colored landscapes are American Edens filled with wonder. In the book's foreword Lynda Roscoe Hartigan provides critical insight into Cunningham's life and artistic odyssey.