Golden Memory (yellow version). by [Bionic Hearing Press] Aimee Lee - 2022.

Cleveland, Ohio:: Bionic Hearing Press,, 2022.. Variable Edition of 10. 6.5 x 4.75 x 0.13"; 12 pages including covers. Copies 1-5 Inkjet print on persimmon powder dusted hanji, embedded in abaca paper; 6-10 copies Inkjet print on pigmented cotton paper, embedded in handmade abaca paper. Hand sewn binding. Text, paper, and binding by Aimee Lee. Inkjet in Adobe Garamond Pro on handmade paper. Signed and numbered by the artist. Aimee Lee: "We so often forget what our bodies actually know until we are compelled to use them, to become part of the world. This book speaks to how powerfully the things we learn by doing become embedded in our bodies. Stories of how heat affects color and strength are encapsulated in the pages of the book itself, available to read but permanently integrated.

NY: Pierpont Morgan Library. Good; Liftoff on rear cover, stain on front cover, splits starting at heel . and foot of spine, fore-edges stained.. 1976. Softcover. 114 plates. Preface by Charles Ryskamp. Includes an essay on the Memories of Collecting by John M. Crawford, Jr. ; Folio 13" - 23" tall; 140 pages .

"France XIe Siecle. Les Cavaliers de L'Apocalypse," 8.5 x 10.75 inches. Printed in Paris, 1858.Original chromolithograph illustration from Les Arts Somptuaires: Histoire du Costume et de l'Ameublement et des Arts et Industries qui s'y rattachent sous la Direction de Hangard-Mauge Dessins de Cl'us Ciappori by Charles Louandre. This is from a disbound copy of the rare plates volume, which featured hundreds of images in various subjects designed by Claudius Ciappori and printed by the master Hangard-Maugé in Paris, 1857-58.

Rare catalog edition of the Fifth Annual Circuit Exhibition of the National Association of Portrait Painters, Inc. 1915-1916. New York: American Fine Arts Society, 1915. "November 6 to 28, 1915 at the galleries of the American Fine Arts Society, 215 West Fifty-seventh Street, New York". Published by Knoedler and Company Exhibition Catalogs, New York City. Listing portrait painters of 1915-1916, 61 pages, complete with plates of the 39 painters including Sargent. A very good+/fine copy of a rare edition of art catalog.

NY: A. Schram, 1974. Signed first edition. Hard cover in dust jacket. Published NY: Abner Schram, 1974, first printing. 8vo., 234pp., illustrated with b/w photos. Signed on fly leaf by both authors: "With every good wish - Leona Rostenberg. Madeline B. Stern". Some dust foxing along top edge, else very good in very good dust jacket with a few short, closed tears along top edge. 2005 and 2007 NY Times obituary clippings of the authors laid in. . 1st. Hard. Very Good/Very Good. 8vo.

Davis, CA: Library Associates, University of California. Near Fine; Small nick at lower left corner of front cover.. 1979. Softcover. Edited and with an introduction Kirshenbaum. Exhibition catalogue for show held Feb. 22 - April 10, 1979 at the Memorial Union Art Gallery, University of California at Davis. 8.5 x 11 inches. Black and white photographs of the work of five fine printers from northern California: Jack Stauffacher, Adrian Wilson, Richard Bigus, Andrew Hoyem, and William Everson. Contains statements from the artists. Laid in is promotional postcard for the exhibition, publisher press release for the catalogue, and several other promotional materials and lists of publications by Library Associates. ; Oblong 8vo 8" to 9" tall; 47 pages .

5956Ruskin The King of the Golden River, A Legend of Stiria. Publisher: Roycrofters, East Aurora, NY, 1900. RARE. Original copyright 1841. BOUND IN SUEDE LEATHER. Used . Good- condition./ None Issued. A couple of top edges show bite-size area of loss. Does not effect text. Frontispiece black and white portrait of John Ruskin. Decorated title page and decorated initial letters by Samuel Warner. Colophon reads, printed in red, as follows: SO HERE ENDETH THE KING OF THE GOLDEN RIVER, AS / WRITTEN BY JOHN RUSKIN: THE TITLE PAGE AND INITIALS / BEING DESIGNED BY SAMUEL WARNER, AND THE WHOLE / DONE INTO A BOOK BY THE ROYCROFTERS, AT THEIR SHOP, / IN EAST AURORA, NEW YORK, U.S.A., IN THE YEAR MCM. Roycroft logo with Elbert Hubbard printed in. handwritten gift inscription and signature on front free endpaper dates this item to the year 1900. Leather is in clean condition.

London: Macmillan and Co., Limited, 1924. First Edition. hardcover. Good. 9 3/8" × 6 1/8" × 1" (23.8 × 15.6 × 2.5 cm) . First Printing. Printed by R. & R. Clark, Limited, Edinburgh. Tall 8vo. Bound in publisher's original hardcover quarter Holland-backed blue paper boards, with white linen spine and paper title label. Uncut, deckled edges. [ix], [1], 176, [4] pp. Photogravure frontispiece portrait of Morris engraved by Emery Walker from a photograph by Sparling, with tissue guard present. Includes 16 plates and examples of types and illustrations from the Kelmscott Press. Henry Halliday Sparling (1860–1924) provides an informative history of William Morris's Press. Sparling was a former Kelmscott Press employee and as the husband of Morris's daughter, May Morris, from 1890–1898, was keenly familiar with Morris and his Press. Sparling provides a clear account of the day-to-day workings of the Press, as well as a close examination of Morris's intentions and printing achievements. Includes… Read More

Austin: Texas Writers Project, 2000. Original . Broadside. FINE. 24 x 36 inches, printed on high quality coated stock with metalic ink. Shipped- rolled in heavy tube. This fabulous poster was created especially for the featured author of Texas Writers Month in 2000 held in Austin, Texas by graphic designer Marc English. It is printed on heavy high quality coated stock in metalic inks: silver and bronze and laid over a duotone photograph of the rugged Big Bend country of West Texas. The poster quotes a long scene from McCarthy's BLOOD MERIDIAN with drops of bronze red blood for emphasis. This is a stunning visual and carries the impact of the original text depicting a scene of horror as the savages line up on horseback along the ridge their glass beads and painted bodies caught forever in the sun's hot glare as they anticipate the massacre that would follow. Only McCarthy could make this scene so vivid you might have to put the book down and never finish it.

London: Edward Arnold, 1978. Book. Fine. Hardcover. First Printing of the First Edition. Fine, in jacket with a miniscule touch of wear at spine top..

Pt. Reyes CA & Kathmandu, Eidolon Editions, 1976, center-stapled trade paperback (10" x 7.25"), 16 pp. printed on one side only, First Edition, First Printing, limited to 550 copies, Very Good condition in illustrated wraps. Straight, tight and clean, light foxing to covers and text block edge, tiny nicks to top corner of front cover. Printed on handmade paper this small collection continues Di Prima's exploration of Loba, the she-wolf, as mythic mother of the world. Monochrome illustrations by Josie Grant.