IDEAL LANDSCAPE Annibale Carracci, Nicolas Poussin and Claude Lorrain by Lagerlof, Margaretha Rossholm - 1990

Yale University Press, 1990. Hardcover. Very Good. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed.

Yale University Press. Used - Very Good. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.

Yale University Press, 1990-12-26. Hardcover. Good.

Yale University Press, 1990. Hard cover. Good/Good. Front of jacket is sunned along spine, but legibility is not impacted. Jacket is worn, particularly along edges. Spine is cracked and shaken, but secure. Cover is lightly worn, especially along edges. Top edge is lightly foxed, but readability is not affected. Inside is unmarked.

Yale University Press, 1990. Oversized Hardcover. Very Good/Very Good. Book and dust jacket in solid overall condition, with no markings. Spine mildly shaken. Jacket features oxidation spotting to underside, small nick at top edge of front panel. International shipping will require additional postage due to bulk.

Yale University Press. Very Good in Near Fine dust jacket. 1990. 1st Edition; 1st Printing. Hardcover. 0300047630 . Large format hardcover with dustjacket, "original and highly sophisticated - interprets these paintings in a new way, examining them from four perspectives relevant to their contemporaries - those of drama, rhetoric, utopianism, and metaphysics," the book has very minimal ink markings, most of the pages are fine and the binding is clean and tight, the jacket has surface-rubbing on the rear panel and no other remarkable flaws, a professional (removable) mylar cover is included; 247 pages .

New Haven and London: Yale University Press, 1990. First Edition. Hardcover. Fine/Fine. Annibale Carracci, Nicolas Poussin, and Claude Lorrain were the masters of ideal, or heroic, landscape painting in the seventeenth century. In this original and highly sophisticated book, Margaretha Lagerlof interprets these paintings in a new way, examining them from four perspectives relevant to their contemporaries - those of drama, rhetoric, utopianism, and metaphysics." Quarto: 247 p. with 105 plates (many color). Original blue cloth binding, with gilt titles. A fine copy in a fine dust jacket.

Yale University Press, 1990-12-26. Hardcover. New. New. In shrink wrap. Looks like an interesting title!