Material Journeys: Collecting African And Oceanic Art, 1945-2000 by Christraud M. Geary; Stephanie Xatart - 2007-01-01

MFA Publications, Museum of Fine, 2007-01-01. Paperback. Good. 1.0000 10.5000 9.5000.

MFA Publications, 2007-01-01. Paperback. Used: Good.

MFA Publications, Museum of Fine Arts, Boston, 2007-01-01. paperback. New. 9x0x10.

MFA Publications, Museum of Fine Arts, Boston, 2007-01-01. paperback. New. 9x0x10.

New.

MFA Publications, 2007-01-01. Paperback. Used:Good.

LIKE NEW oversize pb, crease on front cover, expedited and international shipping not available--MATERIAL

Boston: MFA Publications, a division of the Museum of Fine Art, Boston, 2007. 246 pages, colour illustrations; 27 cm. Published in conjunction with the exhibition 'Material Journeys: Collecting African and Oceanic Art, 1945-2000. Selections from the Genevieve McMillan Collection,' organized by the Museum of Fine Arts, Boston, from February 6 to July 25, 2007. Firm binding, clean inside copy. OVERSIZE! No priority/international, except by arrangement. Richly illustrated with colour plates. "This is a comprehensive study of how African and Oceanic arts were brought to Europe and the United States in the later twentieth century. Using the extensive Genevieve McMillan Collection as a prism, the authors investigate collecting strategies as they intersect with the political conditions of colonialism and independence and the developing study of African and Oceanic arts. The objects in this book, ranging from sculptures to textiles to musical instruments, moved through many hands: some were… Read More

MFA Publications. Used - Very Good. 2007. 1St Edition. Paperback. Very Good.

Museum of Fine Arts Boston, 2007. Paperback. New. New oversized softcover in printed wraps. 4to. (9.55 x 0.97 x 10.45 inches) Clean text free of marks or underlining. Gorgeous full page color photos and illustrations throughout the book. Includes photo credits and a bibliography. 246 pp. Fast shipping in a secure book box mailer with tracking. This is a comprehensive study of how African and Oceanic arts were brought to Europe and the United States in the later twentieth century. Using the extensive Geneviève McMillan Collection as a prism, the authors investigate collecting strategies as they intersect with the political consigns of colonialism and independence and the developing study of African and Oceanic arts. The objects in this book, ranging from sculptures to textiles to musical instruments, moved through many hands: some were collected in the field by their future owners (including Geneviève McMillan herself), others passed though Paris and Brussels, hubs of the international art trade,… Read More