Renaissance Venice and the North: Crosscurrents in the Time of Durer, Bellini, and Titian by Aikema, Bernard; Brown, Louise Brown (Editors - 2000

New York: Rizzoli, 2000. Hardcover. VG- (Slight wear to edges of dj; page edges are beginning to tan lightly, otherwise clean.). Black cloth, black & color illus. dust jacket. 703 pp., 700+ bw & color plates; weighs 8 lbs. "Examines the inspirational interactions between Renaissance artists, musicians, and intellectuals in Venice and in northern Europe, and how the distinctive styles of each area had a lasting effect on the other. ... Traces the early contacts between Venice and Germany, Belgium, and the Netherlands; the experience of foreign artists working in the Veneto; the tastes of collectors and patrons in both northern and Venetian art; developments in landscape, genre, and figure painting; and the activities of the giants of the Venice Renaissance -- such as Titian and Bellini -- and thier northern counterparts, most notably Durer." (dj) With 24 illustrated essays and more than 700 illustrations. A terrific abeit weighy resource. Contents as follows: Venice : where North meets South /… Read More

Rizzoli, April 2000. Hardcover. Good/Good. used hardcover in dust jacket. jacket is somewhat worn about the edges, with a number of small chips and tears at the extremeties, though still largely intact. pages and binding are clean, straight and tight. there are no marks to the text or other serious flaws.

New York: Rizzoli, 2000. Hardcover. VG-/VG- front cover has a couple of divots, dust jacket has light wear to corners and edges, and some rubbing/scuffing.. Black cloth boards with gilt lettering on spine. Glossy, color-illustrated dust jacket with white lettering. 703 pp. Profusely illustrated, mainly in color. Shipping weight is 9 pounds. Renaissance Venice and the North examines the interactions between Renaissance artists, musicians, and intellectuals in Venice and in northern Europe, and how the distinctive styles of each area had a lasting effect on the other. Published to coincide with an exhibition at the Palazzo Grassi in Venice, this catalogue contains the most recent scholarship on the dialogue between Venetian and northern artists that produced an abundance of art during the period.-Amazon.

U.S.A.: Rizzoli, 1999. Very good hard cover. No dust jacket.. Hard Cover. Very Good/No Dust Cover.

NY: Rizzoli, 1999. First Edition. . Hard Back. Fine to As New/Fine to As New. Illustrated throughout, 703 pages. 8 lbs, extra postage required. Pictures on request. More ART titles = >booksellers>amber unicorn>keyword= art Size: 4to 11-1/2 x 8-1/4

NY: Rizzoli, 1999. Hardcover. Tiny name stamp else near new condition, covers bright, text clean & binding tight in a like dust jacket.. Size: 8.75"x12", 703pp., profusely illustrated in colour.

New York: Rizzoli, 2000. First American edition. Hardcover. fine/fine. Quarto. 703pp. Exhibition catalogue. Over 700 brilliant reproductions in color and black and white. A fine copy in dust jacket. Jacket in a brodart protective wrapper. This book traces the early contacts between Venice and Germany, Belgium and the Netherlands.

Rizzoli, 2000-04-22. Hardcover. New. New. In shrink wrap. Looks like an interesting title!

London: Thames and Hudson, 2000. 1st US Edition. Hardcover. Near fine cloth copy in a near-fine, very slightly edge-nicked and dust-dulled dust wrapper, now mylar-sleeved. Remains particularly well-preserved overall; tight, bright, clean and strong. Physical description: 703 pages: ill. (some col.); 31 cm. Subjects: Art, Renaissance Italy Venice; Exhibitions. Art, Italian Italy Florence; Exhibitions. Painting, Renaissance; Exhibitions Italy Venice. Painting, Venetian Exhibitions.