Ridondanza: paesaggi e ritratti Analisi: piu assiomi... / Redundancy: portraits and landscapes. Analysis: axioms... by Agnetti, Vincenzo - 1971
by Agnetti, Vincenzo
Ridondanza: paesaggi e ritratti Analisi: piu assiomi... / Redundancy: portraits and landscapes. Analysis: axioms...
by Agnetti, Vincenzo
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Small quarto, unpaginated (52 pages printed on vellum and thick glossy stock), eight pages with text printed against a black background, one page printed with blue, yellow, red and black on vellum stock + one page printed against a silver colored background. Stiff black wrappers, with text only written on the rear wrapper. As new.
- First edition. Catalogue published on the occasion of an exhibition that took place in galleria blue, February-March 1971. Text in Italian and English.
"Dalla fine degli anni '60 la riflessione sul linguaggio continua su più fronti.
Nel febbraio 1971 alla Galleria Blu di Milano espone una serie di feltri e di bacheliti che inaugurano un filone di lavoro che diventerà estremamente prolifico .
Dopo il lungo operare è inevitabile l'utile inutilità del gesto e del facile per rompere un momento le righe: ma sempre incombe la verifica, e presto; la pausa, l'idea, il gusto, diventano il supporto provvisorio di un nuovo discorso.
Il titolo della mostra è suggestivo:
"Ridondanza: paesaggi e ritratti
Analisi: assiomi…"
I Feltri sono pannelli incisi a fuoco o dipinti con colore che raffigurano ritratti e paesaggi attraverso l'uso della ridondanza letteraria mentre gli Assiomi sono lastre di bachelite incise e trattate con colori ad acqua o nitro in cui diagrammi e frasi esprimono qualche volta proposizioni assiomatiche, più spesso tautologie, contraddizioni, paradossi contrapponendosi ai Feltri per freddezza mentale e rigore concettuale. Fa eccezione Profezia (1970) che è un assioma ipotetico, l'unico nel suo genere, in cui il materiale utilizzato e l'uso del colore ne ammorbidiscono l'impatto estetico.
Gli Assiomi rimangono la controprova di quanto enunciato in altre mie opere precedenti impostate sulla relatività del linguaggio scritto…Gli Assiomi in sostanza rappresentano una esasperata serietà anche se a volte la finzione viene meno a causa dell'elaborazione mentale.
In questo senso essi costituiscono una sorta di eco del lavoro concettuale di Agnetti e per questo costituiscono la punteggiatura mentale lungo il suo lavoro."
(http://www.vincenzoagnetti.com/biografia.html)
(Since the end of the 1960s, reflection on language has continued on multiple fronts.
In February 1971 at the Galleria Blu in Milan he exhibited a series of felts and Bakelites which inaugurated a line of work that would become extremely prolific.
After the long process, the useful futility of the gesture and of the easy thing to break lines for a moment is inevitable: but verification always looms, and soon; the pause, the idea, the taste, become the temporary support of a new discourse.
The title of the exhibition is suggestive:
"Redundancy: landscapes and portraits
Analysis: axioms..."
The Felts are panels engraved by fire or painted with color which depict portraits and landscapes through the use of literary redundancy while the Axioms are Bakelite plates engraved and treated with water or nitro colors in which diagrams and sentences sometimes express axiomatic propositions, more often tautologies, contradictions, paradoxes contrasting with the Feltri for mental coldness and conceptual rigor. The exception is Profezia (1970) which is a hypothetical axiom, the only one of its kind, in which the material used and the use of color soften its aesthetic impact.
The Axioms remain the counter-proof of what was stated in other previous works of mine based on the relativity of written language...The Axioms essentially represent an exasperated seriousness even if sometimes the fiction fails due to mental processing.
In this sense they constitute a sort of echo of Agnetti's conceptual work and for this reason constitute the mental punctuation throughout his work.)
- Bookseller studio montespecchio di jan van der donk (IT)
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- Place of Publication Milano
- Date Published 1971
- Pages 52
- Size quarto
- Size quarto
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