Transport. Portfolio with 4 silkscreens. Signed, limited edition by Swarte, Joost - 1993

San Francisco:: Art Hazelwood,, 2005.. Edition of 25. 9.5 x 9.5" closed, extends to 108"; 12 pages. Accordion structure. Woodcut images printed on white paper, which has been tipped onto heavyweight cream wove support paper. Bound in wood-grain design Japanese paper-covered boards. Each image signed and numbered by the artist. An accordion-folded collection of woodcuts by Art Hazelwood of images of people and scenes from Asia. This book is an offshoot of his print series Walking Up and Down in Asia.  Art Hazelwood: "From 1986 to 1993 I traveled around the world, living in Europe and Asia and in various parts of the States. My primary interest however was traveling in Asia. The intensity of travel lured me on to see more and more. Experiences of people and places left their mark and I have tried to give back some of that feeling. The Tibetan nomads, Vietnamese 'cyclo' drivers, Japanese 'salary man,' Sikhs, Thais, and Uyghurs that make up this series are the… Read More

Two copies available, as follows:
Item 1: A$580
Good to V.Good condition. Pages complete and clean with some light foxing. Half red morocco spine, plum cloth sides, gilt year on spine of folio hardback. Two of four double page colour supplements bound in place. Spine rubbed but binding intact. Half red morocco spine, plum cloth sides, gilt year on spine of folio hardback. Cover scuffed and faded but bound intact. Pages and print good, some foxing, mostly on outer edges with some discolouration.
Item 2: A$250
Fair Condition. Original covers and spine cracked, bumped and marked but attached and bound intact. One-penny postage paid stamped on weekly leading pages. Previously removed (106) pages have been replaced by digitally reproduced pages, existing page condition fair.
Published by George C. Leighton, London, 1864. 684 numbered pages with illustrations and advertisements from 1864.
Some examples of the items contained in this bound volume are:
American Civil War
War in New Zealand
Kerbstone… Read More

Etching and dry-point, signed in the plate and dated 1876. 121 x 81mm (image). A fine impression on Van Gelder paper with large margins, 400 x 300mm. Sheet very lightly and evenly darkened by age, but good condition. This is not a published etching; only a few proofs. - Delchevalerie no. 21; Liège 1981, Adrien de Witte, no. 126. - "A partir de 1875... commence une magistrale série d'eaux-fortes. (…) Adrien de Witte fait prendre à la gravure liégeoise un tournant décisif. Libérant la gravure de son rôle de reproduction, il la traite pour elle-même, faisant œuvre originale. Les sujets sont puisés dans la vie quotidienne." (Françoise Clercx-Léonard-Etienne, Adrien de Witte, Liège, 1981, p. 29-30).

Near Fine. 1840-1844. Royal Octavo Edition. Print. From the first Royal Octavo edition of Birds of America published from 1840 to 1844. Octavo (approximately 10.25 x 6.5 inches). Drawn from nature by JJ Audubon, printed and hand-colored by J. T. Bowen, Philadelphia. One edge unevenly trimmed as a result of removal from binding. Please examine the provided photo's for personal inspection of condition. Provenance - From the A. D. Andrews Collection of Southern and Natural History. A near fine print. .

Beautiful signed female nude sanguine copper etching on heavy weight paper, with artist's signature in pencil to the lower right corner. The subject a graceful reclining female nude. She is lying on her side and captured from a rear view. Under glass, in a gilt wood frame with a cream mount. Image measures 130 mm x 270 mm. Total size (in frame) 250 x 395 mm (9¾ x 15½ inches). Jean-Auguste Vyboud (1872-1944) was a painter and engraver who studied under Gustave Moreau and François Flameng. Belle eau-forte en cuivre sanguine féminine nue signée sur papier épais, avec la signature de l'artiste au crayon dans le coin inférieur droit. Le sujet est un gracieux nu féminin allongé. Elle est allongée sur le côté et capturée en vue arrière. Sous verre, dans un cadre en bois doré avec une monture crème. L'image mesure 130 mm x 270 mm. Taille totale (dans le cadre) 250 x 395 mm. Jean-Auguste Vyboud (1872-1944) est un peintre et graveur formé par Gustave Moreau et François Flameng.

San Francisco:: Art Hazelwood,, 2005.. Edition of 25. 9.5 x 9.5" closed, extends to 108"; 12 pages. Accordion structure. Woodcut images printed on white paper, which has been tipped onto heavyweight cream wove support paper. Bound in wood-grain design Japanese paper-covered boards. Each image signed and numbered by the artist. An accordion-folded collection of woodcuts by Art Hazelwood of images of people and scenes from Asia. This book is an offshoot of his print series Walking Up and Down in Asia.  Art Hazelwood: "From 1986 to 1993 I traveled around the world, living in Europe and Asia and in various parts of the States. My primary interest however was traveling in Asia. The intensity of travel lured me on to see more and more. Experiences of people and places left their mark and I have tried to give back some of that feeling. The Tibetan nomads, Vietnamese 'cyclo' drivers, Japanese 'salary man,' Sikhs, Thais, and Uyghurs that make up this series are the… Read More

Two copies available, as follows:
Item 1: A$580
Good to V.Good condition. Pages complete and clean with some light foxing. Half red morocco spine, plum cloth sides, gilt year on spine of folio hardback. Two of four double page colour supplements bound in place. Spine rubbed but binding intact. Half red morocco spine, plum cloth sides, gilt year on spine of folio hardback. Cover scuffed and faded but bound intact. Pages and print good, some foxing, mostly on outer edges with some discolouration.
Item 2: A$250
Fair Condition. Original covers and spine cracked, bumped and marked but attached and bound intact. One-penny postage paid stamped on weekly leading pages. Previously removed (106) pages have been replaced by digitally reproduced pages, existing page condition fair.
Published by George C. Leighton, London, 1864. 684 numbered pages with illustrations and advertisements from 1864.
Some examples of the items contained in this bound volume are:
American Civil War
War in New Zealand
Kerbstone… Read More

Etching and dry-point, signed in the plate and dated 1876. 121 x 81mm (image). A fine impression on Van Gelder paper with large margins, 400 x 300mm. Sheet very lightly and evenly darkened by age, but good condition. This is not a published etching; only a few proofs. - Delchevalerie no. 21; Liège 1981, Adrien de Witte, no. 126. - "A partir de 1875... commence une magistrale série d'eaux-fortes. (…) Adrien de Witte fait prendre à la gravure liégeoise un tournant décisif. Libérant la gravure de son rôle de reproduction, il la traite pour elle-même, faisant œuvre originale. Les sujets sont puisés dans la vie quotidienne." (Françoise Clercx-Léonard-Etienne, Adrien de Witte, Liège, 1981, p. 29-30).

Near Fine. 1840-1844. Royal Octavo Edition. Print. From the first Royal Octavo edition of Birds of America published from 1840 to 1844. Octavo (approximately 10.25 x 6.5 inches). Drawn from nature by JJ Audubon, printed and hand-colored by J. T. Bowen, Philadelphia. One edge unevenly trimmed as a result of removal from binding. Please examine the provided photo's for personal inspection of condition. Provenance - From the A. D. Andrews Collection of Southern and Natural History. A near fine print. .

Beautiful signed female nude sanguine copper etching on heavy weight paper, with artist's signature in pencil to the lower right corner. The subject a graceful reclining female nude. She is lying on her side and captured from a rear view. Under glass, in a gilt wood frame with a cream mount. Image measures 130 mm x 270 mm. Total size (in frame) 250 x 395 mm (9¾ x 15½ inches). Jean-Auguste Vyboud (1872-1944) was a painter and engraver who studied under Gustave Moreau and François Flameng. Belle eau-forte en cuivre sanguine féminine nue signée sur papier épais, avec la signature de l'artiste au crayon dans le coin inférieur droit. Le sujet est un gracieux nu féminin allongé. Elle est allongée sur le côté et capturée en vue arrière. Sous verre, dans un cadre en bois doré avec une monture crème. L'image mesure 130 mm x 270 mm. Taille totale (dans le cadre) 250 x 395 mm. Jean-Auguste Vyboud (1872-1944) est un peintre et graveur formé par Gustave Moreau et François Flameng.