War Dance of the Sauks and Foxes
by MCKENNEY, Thomas Loraine (1785-1859) and James HALL (1793-1868)
- Used
- Condition
- See description
- Seller
-
New York, New York, United States
Payment Methods Accepted
About This Item
Phildelphia: E. C. Biddle, 1834. Hand-coloured lithograph. Very good condition. Based on a painting by P. Rindisbacher
McKenney and Hall's "Indian Tribes of North America" has long been renowned for its faithful portraits of Native Americans. The portraits are largely based on paintings by the artist Charles Bird King, who was employed by the War Department to paint the Indian delegates visiting Washington D.C., forming the basis of the War Department's Indian Gallery. Most of King's original paintings were subsequently destroyed in a fire at the Smithsonian, and their appearance in McKenney and Hall's magnificent work is thus our only record of the likenesses of many of the most prominent Indian leaders of the nineteenth century. Numbered among King's sitters were Sequoyah, Red Jacket, Major Ridge, Keokuk, and Black Hawk. After six years as Superintendent of Indian Trade, Thomas McKenney had become concerned for the survival of the Western tribes. He had observed unscrupulous individuals taking advantage of the Native Americans for profit, and his vocal warnings about their future prompted his appointment by President Monroe to the Office of Indian Affairs. As the first director, McKenney was to improve the administration of Indian programs in various government offices. His first trip was during the summer of 1826 to the Lake Superior area for a treaty with the Chippewa, opening mineral rights on their land. In 1827, he journeyed west again for a treaty with the Chippewa, Menominee, and Winebago in the present state of Michigan. His journeys provided an unparalleled opportunity to become acquainted with Native American tribes. When President Jackson dismissed him from his government post in 1830, McKenney was able to turn more of his attention to his publishing project. Within a few years, he was joined by James Hall, a lawyer who had written extensively about the west. McKenney and Hall saw their work as a way of preserving an accurate visual record of a rapidly disappearing culture. (Gilreath)
Cf. Howes M129; cf. Bennett 79; cf. Field 992; cf. Lipperheide Mc 4; cf. Reese, American Color Plate Books, 24; cf. Sabin 43410a.
McKenney and Hall's "Indian Tribes of North America" has long been renowned for its faithful portraits of Native Americans. The portraits are largely based on paintings by the artist Charles Bird King, who was employed by the War Department to paint the Indian delegates visiting Washington D.C., forming the basis of the War Department's Indian Gallery. Most of King's original paintings were subsequently destroyed in a fire at the Smithsonian, and their appearance in McKenney and Hall's magnificent work is thus our only record of the likenesses of many of the most prominent Indian leaders of the nineteenth century. Numbered among King's sitters were Sequoyah, Red Jacket, Major Ridge, Keokuk, and Black Hawk. After six years as Superintendent of Indian Trade, Thomas McKenney had become concerned for the survival of the Western tribes. He had observed unscrupulous individuals taking advantage of the Native Americans for profit, and his vocal warnings about their future prompted his appointment by President Monroe to the Office of Indian Affairs. As the first director, McKenney was to improve the administration of Indian programs in various government offices. His first trip was during the summer of 1826 to the Lake Superior area for a treaty with the Chippewa, opening mineral rights on their land. In 1827, he journeyed west again for a treaty with the Chippewa, Menominee, and Winebago in the present state of Michigan. His journeys provided an unparalleled opportunity to become acquainted with Native American tribes. When President Jackson dismissed him from his government post in 1830, McKenney was able to turn more of his attention to his publishing project. Within a few years, he was joined by James Hall, a lawyer who had written extensively about the west. McKenney and Hall saw their work as a way of preserving an accurate visual record of a rapidly disappearing culture. (Gilreath)
Cf. Howes M129; cf. Bennett 79; cf. Field 992; cf. Lipperheide Mc 4; cf. Reese, American Color Plate Books, 24; cf. Sabin 43410a.
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Details
- Seller
- Donald Heald Rare Books (US)
- Seller's Inventory #
- 20594
- Title
- War Dance of the Sauks and Foxes
- Author
- MCKENNEY, Thomas Loraine (1785-1859) and James HALL (1793-1868)
- Book Condition
- Used
- Quantity Available
- 1
- Publisher
- E. C. Biddle
- Place of Publication
- Phildelphia
- Date Published
- 1834
- Bookseller catalogs
- Native Americans;
Terms of Sale
Donald Heald Rare Books
All items are guaranteed as described. Any purchase may be returned for a full refund within 10 working days as long as it is returned in the same condition and is packed and shipped correctly.
About the Seller
Donald Heald Rare Books
Biblio member since 2006
New York, New York
About Donald Heald Rare Books
Donald Heald Rare Books, Prints, and Maps offers the finest examples of antiquarian books and prints in the areas of botany, ornithology, natural history, Americana and Canadiana, Native American, voyage and travel, maps and atlases, photography, and more. We are open by appointment only.
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