Search Results: elegy written in a country church yard by gray thomas parker

New York The Heritage Press, 1951-01-01. Hardcover. Good. Hardcover with slip case. Slip case in good condition with some fading and wear around the edges and light staining. Cover of book is in very good condition with normal shelf and use wear. Spine of book shows some wear and fading. Binding is good with no loose pages. Clean unmarked text. We ship daily.

Heritage Press, 1951. Fine. Gray, Thomas. Elegy Written in a Country Church Yard. Parker, Agnes Miller; Walpole, Hugh. Norwalk: Heritage Press, 1951. 92pp. Illustrated. Small 4to. Book condition: Near fine. In light gray slipcase, very good with bumped corners and faint soiling.

Heritage Press, 1979-01-01. Hardcover. Like New. ***Please Read*** No marks on text - My shelf location 35-f-15

The Heritage Press, George Macy, 1951. Hardcover Slipcase. Very Good. in x in x in. No DJ. Owner bookplate front free endpage: Sarah E. Bennick, March, 1953. No other marks in very lightly read book. Hardcover Fine. Slipcase sunning. Illustrated with wood-engravings, sketched in same churchyard at Stoke Poges, by Agnes Parker. Introduction by Hugh Walpole: Horace Walpole is his great-great-great- great Uncle.

London: Limited Editions Club, 1938. Hardcover. Very slight foxing to endpapers. Covers a little rubbed. Very Good to Near Fine, lacking the slipcase. Agnes Miller Parker. Small quarto (7" x 10") bound in forest green buckram with a relief design on the front cover stamped in silver, 92 pages. Superbly illustrated with 32 full-page wood engravings by Agnes Miller Parker sketched in the very same country church-yard that inspired the poem. Copy #323 of 1500 SIGNED by the artist on the colophon page. A beautiful book.

London: Limited Editions Club. Fine in Near Fine dust jacket. 1938. Hardcover. Original silver-decorated cloth in slipcase. Limited edition #840 of 1500 copies signed to the colophon by Miss Parker. Spine sunned else fine condition. In the original celluloid DJ, which is slightly wrinkled. The slipcase is dust-soiled to top edge. ; quarto; Signed by Illustrator .

London: Printed for Members of the Limited Editions Club at the Raven Press, 1938. Very Good +/Very Good +. London: Printed for Members of the Limited Editions Club at the Raven Press, 1938. First Thus, Limited to 1500 copies of which this is no. 659. Octavo; publisher's pictorial blind-embossed cloth stamped in silver foil, clear celluloid dust jacket, paper-covered slipcase; xv,[1],72pp.; wood-engravings throughout. Cloth and dust jacket spine panels a shade toned, tiny loss to jacket spine, else Very Good or better in the rare original jacket. Signed by the illustrator on colophon. Lovely edition of Gray's Elegy illustrated with wood-cuts, "the original sketches for which were made by Miss Parker in that same church-yard at Stoke Poges in which the poet brooded over his elegy" (colophon).

London: Limited Editions Club, 1938. Hardcover. Spine a little sunned. Near Fine, lacking the slipcase. Agnes Miller Parker. Small quarto (7" x 10") bound in forest green buckram with a relief design on the front cover stamped in silver, 92 pages. Superbly illustrated with 32 full-page wood engravings by Agnes Miller Parker sketched in the very same country church-yard that inspired the poem. Copy #380 of 1500 SIGNED by the artist on the colophon page. A beautiful book.

London: Limited Editions Club, 1938. Hardcover. Small tape stains to endpapers; spine a little sunned. Near Fine in a Near Fine slipcase. Agnes Miller Parker. Small quarto (7" x 10") bound in forest green buckram with a relief design stamped in silver on the front cover, 92 pages. Beautifully illustrated with 32 full-page wood engravings by Agnes Miller Parker sketched in the very same country church-yard that inspired the poem. Copy #166 of 1500 SIGNED by the artist on the colophon page.

London: Limited Editions Club, 1938. Hardcover. Spine a little sunned otherwise Fine in a Fine slipcase. Agnes Miller Parker. Small quarto (7" x 10") bound in forest green buckram with a relief design stamped in silver on the front cover, 92 pages. Beautifully illustrated with 32 full-page wood engravings by Agnes Miller Parker sketched in the very same country church-yard that inspired the poem. Copy #710 of 1500 SIGNED by the artist on the colophon page.

London: Limited Editions Club, 1938. Hardcover. Very slight foxing to endpapers. Near Fine in a Fine slipcase. Agnes Miller Parker. Small quarto (7" x 10") bound in forest green buckram with a relief design stamped in silver on the front cover, 92 pages. Beautifully illustrated with 32 full-page wood engravings by Agnes Miller Parker sketched in the very same country church-yard that inspired the poem. Copy #65 of 1500 SIGNED by the artist on the colophon page.