Search Results: golden child a libretto for an by paul engle

Hallmark Cards. First Edition; First Printing. Trade Paperback. Very Good/Very Good. DJ lightly shelfworn

Kansas City: Hallmark Cards. Good; Owner's Name Inside. 1960. Hardback. 61 pages .

Kansas City, Missouri: Hallmark Cards. Good with no dust jacket. 1960. Hardcover. Edge wear of the book with some spine end chipping. .

Kansas City, Missouri: Hallmark Cards, 1960. First Edition. Hardcover. Very Good+ with no dust jacket.

Kansas City, MO: Hallmark Cards. 1960. First Edition; First Printing. Hardcover. A fine copy of the first trade edition, bound in paper-covered boards, lacking dust jacket. Illustrated with photographs from the telecast premiere on the Hallmark Hall of Fame.There was also a signed, limited edition.; Small 4to 9" - 11" tall; 61 pp .

Kansas City, Mo: Hallmark Cards, 1960. First edition. Hardcover. Fine/very good. First edition. Hardcover. 58 pp. Illustrated with photographs from the telecast premiere. Fine in very good dust jacket. Poet Paul Engle's libretto for the lyric opera "Golden Child" composed by Philip Bezanson; this uniquekly American original work is set in 1849 in the Sierra Nevadas at the ranch-fort of pioneer and goldbug Captain John Sutter. It was produced for broadcast by the Hallmark Hall of Fame series on December 16, 1960.

Kansas City, Missouri: Hallmark Cards, 1960. Hardcover. Fine/Very Good. First edition. Papercovered boards with applied labels. Fine in dust-soiled, about very good dustwrapper.

Kansas City: Hallmark Cards, December, 1960. Edition limited to 105 copies (this, no. 103); large 8vo, pp. 61, [1]; 4 mounted photographs; original checkerboard cloth, printed paper labels on spine and upper cover; one internal leaf wrinkled, but otherwise fine in the publisher's slipcase. From the library of Kim Merker. Signed at the end of the Acknowledgement page by Paul Engle and Philip Bezanson. "Hand set in Romanée type by Kim Merker and Harry Duncan ... printed by them on special paper and signed by the librettist and the composer." Berger, Printing and the Mind of Merker, 7: "Philip Bezanson, a composer in the School of Music, collaborated with Paul Engle on the opera, which was probably commissioned by Joyce Hall of Hallmark. Hall wanted copies of the libretto in book form to give to friends as a Christmas gift. Paul asked Harry if he would print it, but Harry at the time had given up most of his type, so he asked me if I would do it with him, using mine. We set it at the Typography Lab and… Read More