Search Results: continental film review

Eurap, 1964. VG. Periodical

London: Eurap Publishing Co. Ltd, 1962. Saddle-stapled magazine. Light shelfwear; crease to corner of cover. Very good. 32 pp., including covers, semi-slick magazine featuring previews, reviews, and articles on international films, covering art house, mainstream, and exploitation-type films. Illustrated from b/w film stills and pin-ups. This issue includes: Cannes 1962. Pics of Brigitte Bardot, Monica Vitti). Books into Cinema. Heroism and the Poles (Knife in the Water, Love at Twenty). From France. Potted Lang [Fritz Lang's Tigress of Bengal). German New Wave.The New Neo-Realism. Old and New Morality (Les Liasons Dangeresuses, Jules and Jim). Snobs at Paris Pullman. Nice pic of Scilla Gabel. Calendar: Anna Maria Pace. Cover: Les Liasons Dangereuses - The Film France Banned for Export!

London: Eurap Publishing Co., Ltd, 1966. Saddle stapled magazine. Shelfwear, with three hole punches along the spine. Very good. 32pp., including covers, semi-slick magazine featuring previews, reviews, and articles on international films, covering art house, mainstream, and exploitation-type films. Illustrated from b/w film stills and pin-ups. Includes: Morianna. Alain Resnais' La Guerre est Fini. More from France: Godard, Chabrol. Roger Vadim: Feminine - Masculine. The Expression of Love in the Cinema. Galia: Venice Idyll. The New Germans (Volker Schlondorff, Alexander Kluge, Jean-Marie Straub, etc). Two pics of Uta Levka in leather, wielding a whip and posing with a gun. Cover: Lotte Tarp.

London: Eurap Publishing Co., Ltd, 1975. Saddle-stapled magazine. Crease to front cover, some wear and a chip along spine. Good+. 36pp., including covers, semi-slick magazine featuring previews, reviews, and articles on international films, covering art house, mainstream, and exploitation-type films. Illustrated from b/w film stills and pin-ups. Includes: The Italian Sex Comedy (Edwige Fenech, etc). Good and Evil. Pasolini. Mondo Sexuality. The New German Cinema. Whose Child Am I? (Felcity Devonshire).Confessions of a Sex Maniac. Dictionary of Erotic Cinema: D. Cover: Hot Sex in Bangkok.

London: Eurap Publishing Co. Ltd, 1959. Saddle-stapled magazine. Light shelfwear. Very good. 32pp., including covers, semi-slick magazine featuring previews, reviews, and articles on international films, covering art house, mainstream, and exploitation-type films. Illustrated from b/w film stills and pin-ups. This issue includes: The Mating Urge (Love Rites in Strange Lands!) Berlin Film Festival 1959 (Claude Chabrol, Panoptikum 59, etc). New Films Reviewed (Kurosawa's Living [Ikuru], Tati's Mon Oncle). Aspects of Spanish Production. South American New Cinema. Five Thoughts from Luis Bunuel. Permanent Wave (new French Productions). Polish New Wave (Wajda, Polanski, St. Rozewicz). Italian Optimsim. Pics of Rossana Podesta, Gabriella Pallotto, etc. Calendar: Vera Tschechova.

London: Eurap Publishing Co. Ltd, 1959. Saddle-stapled magazine. Light shelfwear. Very good. 32pp., including covers, semi-slick magazine featuring previews, reviews, and articles on international films, covering art house, mainstream, and exploitation-type films. Illustrated from b/w film stills and pin-ups. This issue includes: Dolls of Vice. Cannes 1959 Awards (Hiroshima Mon Amour, Orfeu Negro). New French Productions (Chevalier d'Eon, Les Liaisons Dangereuses, Nathalie, Secret Agent). The Transient Hour (Alain Delon, Francoise Arnoul). New Czech Animated Films. Follow the Sun (pin-ups of Chelo Alonso, Marisa Allasio, Dominique Wilms, etc). Japan Today (youth, crime, delinquency and a little tradition). Desire Led Me Wrong. Pics of Claudia Cardinale, Martine Carol, et al. Calendar: Jacques Charrier.

London: Eurap Publishing Co., Ltd, 1976. Saddle-stapled magazine. Light shelfwear. Very good. 36pp., including covers, semi-slick magazine featuring previews, reviews, and articles on international films, covering art house, mainstream, and exploitation-type films. Illustrated from b/w film stills and pin-ups. Includes: Japanese Cinema Today. Housewives on the Job. Jealousy 76. Jane Birkin. Violent Rome. Bisexual. Bordella. Cover: 'The Housewife's Friend.' Back cover: Candice Candy.

London: Eurap Publishing Co. Ltd, 1962. Saddle-stapled magazine. Light shelfwear; three hole-punches to margin (from binder), crease to one page corner, else very good. 32 pp., including covers, semi-slick magazine featuring previews, reviews, and articles on international films, covering art house, mainstream, and exploitation-type films. Illustrated from b/w film stills and pin-ups. This issue includes: Cinema 62. Paris (with pics of Jean Paul Belmondo; Simone Signoret & Yves Montand; Eva Damien, Sylvia Koscina & Alexandra Stewart; Annie Giradot, etc). From the French Studio. Hanoun and Rivette (with still from Paris Nous Appartient). Non-Stop Italy (Monica Vitti in The Eclipse; Boccaccio 70, Sophia Loren). Jeanne Valerie in Young Lips. Spain: The Future? Experimental Cinema. German Jazz Film, Tobby. Creole Venus. Pics of Marcello Mastroanni (from La Notte), Annette Vadim smoking and drinking (Blood and Roses), Marian Vlady, Anouk Aimee, etc. Calendar: Jeanne Valerie and Vicky Ludovisi. Cover:… Read More

London: Eurap Pub. Inc, 1976. Saddle-stapled magazine. Light shelfwear; some rubbing along spine. Very good. 36pp., including covers, semi-slick magazine featuring interviews, previews and reviews of International films with a focus on films of sexual content and nudity. This issue features David Croneberg's SHIVERS; Justin Jaecklin's HISTOIRE D'O; Pasolini and the Implications of censorhip; Charlotte Rampling profile; reviews of the Poseidon Films releases THE DEVIL's PEOPLE, WIFE KILLER, and HOSTAGES OF LUST; Eric Lipmann's adaptation of Apollinaire's LES ONZE MILLE VERGES; Among Dao in HOT SEX IN BANGKOK; also, A Dictionary of Erotic Cinema (D) (includes shot of Sylvia Kristel from NAKED OVER THE FENCE), plus short pieces of Eric Rohmer's MARQUIS D'O and Jean-Luc Godard's NUMERO DEUX, and a photo of Jane Birkin from Catherine et Cie.

London: Eurap Publishing Co. Ltd, 1959. Saddle-stapled magazine. Light shelfwear. Very good. 32pp., including covers, semi-slick magazine featuring previews, reviews, and articles on international films, covering art house, mainstream, and exploitation-type films. Illustrated from b/w film stills and pin-ups. This issue includes: Danielle Darrieux in Jean Duvivier's House of Lovers (cover and feature). The Expression of a German Clown (Giuletta Masina in Fortunella). From Italy (Fellini, Marcelo Mastroanni, Anna Magnani). Marcel Camus' Orfeu Negro. Solomon and Sheba (Gina Lollobrigida). Brigitte Bardot 1959. Pics of Jean Moreau (Les Amants), Christine Nielsen, Marpessa Dawn, etc. Calendar: Brigitte Bardot.

London: Eurap Publishing Co. Ltd, 1961. Saddle-stapled magazine. Light shelfwear. Very good. 32pp., including covers, semi-slick magazine featuring previews, reviews, and articles on international films, covering art house, mainstream, and exploitation-type films. Illustrated from b/w film stills and pin-ups. This issue includes: The Gigolo (Alida Valli, Jean Cluade Brialy - cover). The Changing Face of a Star: Jean Gabin. Toshiro Mifune. From France. Anouk Aimee. Brigitte Bardot. Claudia Cardinale. Speaking of Ingmar Bergman, by members of his usual film group (Max von Sydow, Ingrid Thulin, etc). Calendar: Perrette Pradier.

London: Eurap Publishing Co., Ltd, 1965. Saddle-stapled magazine. Light shelfwear. Very good. 32pp., including covers, semi-slick magazine featuring previews, reviews, and articles on international films, covering art house, mainstream, and exploitation-type films. Illustrated from b/w film stills and pin-ups. Includes: Cannes 65. Tribute to Jean Cocteau. Caution for Godard - In a Day's Work (filming Alphaville, with Eddy Constantine and Anna Karina). Jeanne Moreau. Jaromil Jires interview. Cover: Maria-Gracia Buccela.

London: Eurap Publishing Co., Ltd, 1967. Saddle-stapled magazine. Light shelfwear. Very good. 32pp., including covers, semi-slick magazine featuring previews, reviews, and articles on international films, covering art house, mainstream, and exploitation-type films. Illustrated from b/w film stills and pin-ups. Includes: Jerzy Skolimowski. Visconti's The Outsider. Martine Carol obituary. The Conflict Within (New German Cinema). Fantomas. A La Nature (Isabel Sarli). Consumer Society. Vampires and Mummies (Sharon Tate in The Vampire Killers, Maggie Kimberly in The Mummy's Shroud, drawing by Jean Boullet). Cover: Ljupka.

London: Eurap Publishing Co., Ltd, 1977. Saddle-stapled magazine. Light shelfwear. Very good. 52pp., including color covers, b/w interiors. A magazine featuring previews, reviews, and articles on international films, covering art house, mainstream, and exploitation-type films. Illustrated from b/w film stills and pin-ups. Includes: Trufaut's The Man Who Loved Women. The Ups and Downs of Girls on Holiday. The Emmanuelle Syndrome. Emmanuelle and Francois. Innocent Girls Abroad. The Brute. Cover: stills from Miklos Jansco's Private Vices and Public Virtues, and Lina Romay, from Rolls Royce Baby.

London: Eurap Publishing Co., Ltd, 1976. Saddle-stapled magazine. Light shelfwear. Very good. 36pp., including covers, semi-slick magazine featuring previews, reviews, and articles on international films, covering art house, mainstream, and exploitation-type films. Illustrated from b/w film stills and pin-ups. Includes: To the Devil... a Daughter (introducing Nastassia Kinski). Steppenwolf. Benezeraf and Eroticism. Girls from the Islands. Candice - Candy. Spanish Fly: A Minorcan Manoeuvre. The Sexy Virgin (Barbara Bouchet). Ocean Kill. Naughty Girls. The Party Scene. Prison Fever. Cover: Appassionata.

London: Eurap Publishing Co., Ltd, 1966. Saddle stapled magazine. Shelfwear, with three hole punches along the spine. Very good. 32pp., including covers, semi-slick magazine featuring previews, reviews, and articles on international films, covering art house, mainstream, and exploitation-type films. Illustrated from b/w film stills and pin-ups. Includes: Anna Karina profile. Comedy in paris (Hotel Paradiso, Tati's Playtime). Art and the Cinema. Sweden Today. The Italian Complex (with pics of Elsa Martinelli, Maria Grazia Buccella, etc). Fellini's Juliet of the Spirits. Cover: Rita Klein (plus centerspread).

London: Eurap Publishing Co., Ltd, 1965. Saddle-stapled magazine. Light shelfwear. Very good. 32pp., including covers, semi-slick magazine featuring previews, reviews, and articles on international films, covering art house, mainstream, and exploitation-type films. Illustrated from b/w film stills and pin-ups. Includes: Venice '65 (Pierrot le Fou, I Am Twenty, etc). Spain: A New Consolidation. Polish Spectaculars. From Japan: Sex Peddlers, The Dedicated Gunman, The Hunter's Diary. Marco Bellocchio profile. Bunuel and Dreyer at the NFT. Cover: Claudia Cardinale.

London: Eurap Publishing Co. Ltd, 1962. Saddle-stapled magazine. Light shelfwear; three hole-punches to margin (from binder), crease to one page corner, else very good. 32 pp., including covers, semi-slick magazine featuring previews, reviews, and articles on international films, covering art house, mainstream, and exploitation-type films. Illustrated from b/w film stills and pin-ups. This issue includes: Cinema 62 (Monica Vitti & Jeanne Moreau in La Notte; Last Year at Marienbad (with a short interview with Resnais and Robbe-Grillet); Kon Ichiwa's Fires on the Plain). Derek Hill at Tours (short films). The Actor's World (Antonioni, Robert Bresson, Vittorio Gassman and Giorgio Albertazzi discuss aspects of film acting). Silent Symbols: A Film Technque. Renoir and Chabrol Discuss Their New Films. French News. Film Holidays in the Sun (beaches, nudies). Karlovy Vary This Year. Ad featuring a nude Dawn Brooks for 'World Without Shame.' Calendar: Dominique Boschero, Claudia Cardinale. Cover: Emmanuelle… Read More

London: Eurap Publishing Co. Ltd, 1964. Saddle-stapled magazine. Light shelfwear. Very good. 48 pp., including covers, semi-slick magazine featuring previews, reviews, and articles on international films, covering art house, mainstream, and exploitation-type films. Illustrated from b/w film stills and pin-ups. This issue includes: Mery Christamas and a Happy New Year (Burt Lancaster and Claudia Cardinale in The Leopard; Pierre Etaix's Le Soupirant; Alain Delon; Toshiro Mifune in Yojimbo). The New Films of Truffaut, Malle, and Godard (with stills from The Soft Skin, The Fire Within; Le Mepris discussed but not shown). The Black Tulip. Personalities of the Swedish Cinema. Bunuels Diary of a Chambermaid. Le Baiser, La Ronde, a la Vadim. Greta Garbo. Day and Night (gallery of gals). Italian Trends (includes pics of Catherine Spaak nude but covered with money, and Claire Bloom). The Faces fo Claudia Cardinale. Pop Art. Religion and the Cinema. Pics of Rosanna Schiaffino, Vakeria Fabrizi; cute pic of Anne… Read More

London: Eurap Publishing Co. Ltd, 1958. Saddle-stapled magazine. Light shelfwear. Very good. 32pp., including covers, semi-slick magazine featuring previews, reviews, and articles on international films, covering art house, mainstream, and exploitation-type films. Illustrated from b/w film stills and pin-ups. This issue includes: Daniele Delorme in Prison de Femmes (cover). French Directors Discuss Their New Films. Vamps, book by Pierre Brillard; pics of femmes fatale. The Naked Maja (Ava Gardner). German Horizons. Short interview regarding televsion with Antonioni, Visonti, Maselli. Czech Production. Pics of Marina Vlady in La Sorciere, stills from Mexican film Adam and Eve, Juliette Greco in Whirlpool, Sopha Loren, etc. December Calendar: Horst Buchholz.