Search Results: Art from The Glass Key

New York: Van Nostrand Reinhold, 1984. Second edition. Paperback. Very Good. Second edition. 4to paperback (292 x 210mm). Pp 271 illustrated in colour and b&w throughout. A clean, unmarked copy in printed wrappers - wrappers a touched rubbed at the edges.

New York: Abrams, 1983. First edition. Paperback. Very Good. Published on the occasion of the exhibition of the same title. 4to paperback (280 x 218mm). Pp 256 illustrated in colour and b&w throughout. Top corners of wrapper, front and back, show a hint of light diagonal creasing else a clean, unmarked copy in printed wrappers.

Cincinnati: North Light Books, 2004. Later printing. Paperback. Very Good. 4th impression. 4to (281 x 218mm). Pp 128 illustrated in colour throughout. A clean, unmarked copy in printed wrappers.

Geneva: Albert Skira, 1984. Paperback. Très bon. In-4 broché (276x236mm). Pp 214. Textes sur 2 colonnes. Nombreuses photographies en couleurs et noir et blanc dans et hors texte. Très bon état.

New York: Random House, 2012. Later printing. Hardcover. Very good/very good. 6th impression. 8vo. Pp xviii + 636 with illustrations in colour and monochrome throughout. Quarter bound in olive paper stamped in gilt on the spine with sides of cream paper boards. A clean, unmarked and tightly bound copy in an unclipped dust jacket.

Bergamo: Instituto Italiano d’Arti Grafiche. Paperback. 1st edition. Masters of Colour series. 4to (344 X 248 mm). Short intro and 12 tipped-in full-page colour plates. Very Good in printed wrappers with colour print tipped on to upper wrapper. Original edge-rubbed glassine dust-jacket.

New York: Watson-Gupthill, 1977. First edition. Hardcover. Very Good/very good. 1st edition. 4to (292 x 265mm). Pp 208 illustrated in colour and b&w throughout. 48 full-page colour plates and 120 full-page b&w illustrations. Green cloth boards stamped in gilt on the spine and upper panel. A clean, unmarked copy in a tight binding and bright, price-clipped dust-jacket. The free endpapers show a little very light creasing. Discusses the lives and work of Winslow Homer, James McNeill Whistler, Mary Cassatt, Thomas Eakins, Frank Duveneck, William Marritt Chase, John Singer Sargent, Robert Henri, William Glackens, George Luks, John Sloan, George Bellows, Rockwell Kent, Walt Kuhn and Edward Hopper.

Genève: Petit Palais, 1977. First edition. Paperback. Very Good. Catalogue to an exhibition. 4to (232 x 2016m). Unpaginated 10pp text + 12 colour plates and 9 b&w plates. A clean, unmarked copy in printed wrappers. All text is in French.

Paris: Telerama, 2009. First Edition. Paperback. Very Good +. 4to (300 x 230mm). Pp 98 with photographs in colour and b&w throughout. All text is in French.

Moscow: Intercon Joint Stock, 1996. First edition. Hardcover. Very Good/very good. 1st edition. 4to (348 x 242mm). Pp 204 illustrated in colour throughout. Green cloth boards stamped in gilt on the spine and upper panel. Gift inscription (I think) in Russian on the verso of the front free endpaper else a clean copy in a tight binding and a bright, unclipped dust-jacket. All text in English and Russian.

New York: Prentice Hall & Harry N. Abrams, 1995. First Edition. Paperback. Very Good +. 4to (292 x 220mm). Pp 1208 illustrated in b&w and colour throughout. Previous owner's initials neatly in ink on the half-title else a clean, unmarked and tightly bound copy in printed wrappers.

New York: Prentice Hall & Harry N. Abrams, 1995. First Edition. Paperback. Very Good +. 4to (292 x 220mm). Pp 648 illustrated in b&w and colour throughout. Previous owner's initials neatly in ink on the half-title else a clean, unmarked and tightly bound copy in printed wrappers.

Geneva: Skira, 1994. First Edition. Paperback. Very good +. Sq 8vo paperback (210 x 238mm). Pp 38 with colour illustrations throughout. A clean, unmarked copy in continental-style unprinted wrappers with dust jacket.

New York: Harry N. Abrams, 1965 (?). First American edition. Hardcover. Very Good/very good. 4to (330 x 268mm). Pp 177 with 87 tipped-in colour plates. Cream cloth boards stamped in gilt on the spine. A clean, unmarked copy in a tight binding and unclipped dust jacket.

London: Virago, 1985. First UK edition. Hardcover. Near fine/near fine. First impression. Landscape 4to (237 x 252mm). Pp x + 192 illustrated throughout in colour and b&w. Tan cloth boards stamped in gilt on the spine and blind stamped on the upper panel. A clean, unmarked and tightly bound copy in an unclipped dust jacket.

London: Sheed & Ward, 1949. Later printing. Hardcover. Very good/near very good. 2nd impression. A volume in The Hart Library. Translated from the French by J. F. Scanlan. 8vo. Pp ix + 177. Green cloth boards stamped in gilt on the spine. Name of ownership on the front free endpaper else a clean, unmarked and tightly bound copy in an unclipped dust jacket. The protected dust jacket is soiled at the spine and lightly chipped at the folds.

New Haven and London: Yale University Press, 1993. Third edition. Paperback. Very Good. 3rd printing of this 8vo paperback edition. A volume in the Pelican History of Art series. Pp 684 with colour and b&w illustrations throughout. Previous owner's initials neatly in ink on the half-title else a clean, unmarked copy in printed wrappers.

Paris: Art et Style, 1948. Second edition. Paperback. Good +. 4to (315 x 243mm). Unpaginated 66pp illustrated in b&w + 16pp on heavy uncoated stock with a colour plate tipped-on to each recto. Printed wrappers with a colour plate tipped-on to the upper wrapper. All text in French. The wrappers show some soiling and are weakened at the joints.

London: B. T. Batsford, 1935. First edition. Hardcover. Very Good +. 8vo ( 226 x 142mm). Pp xvi + 192 + colour frontis. Line drawings throughout and 65 plates inc several in colour. Red cloth boards stamped in black on the spine and upper panel. Spine a touch sunned else a clean unmarked copy in a tight binding without dust-jacket.

London: Phaidon, 1981. Second Edition. Hardback. Very good/very good. 4to (288 x 212mm). Pp 256 with b&w illustrations throughout and including coloure frontis and 12 full-page colour plates. Brown cloth boards stamped in gilt on the spine. Previous owner's initials neatly in ink on the front free endpaper else a clean, unmarked and tightly bound copy in an unclipped dust jacket.