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Tagliabue, John. THE GREAT DAY - POEMS, 1962-1982. Alembic, Plainfield, Indiana, 1984. 8vo., wraps, 156pp., inscribed and signed by Taglibue. Laid in are a typed sheet titled "two poems/John Tagliabue" with two poems "Head Strong and Foot Wise" and "Welcomed; well drenched," neither of which is included in the book, and a handwritten note about a mistake in the book, signed with the initials "JT." Fine.
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THE GREAT DAY
by Tagliabue, John
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ROCKY SHORE
by Talbott, Dorothy
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Talbott, Dorothy. Talbott, Dorothy. ROCKY SHORE. Oil on canvas, 1973. Monogrammed "DAT," and further identified on the stretcher. 12 x 12 inches, framed. In excellent condition.
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THE CONTEMPRARY PRINT
by Tallman, Susan
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Tallman, Susan. THE CONTEMPRARY PRINT-FROM PRE-POP TO POST-MODERN. Thames & Hudson, 1996. 4to., cloth, DJ, 304pp., 334 illust, 161 in color. Fine in FIne DJ.
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HOMBRE CON MAGUEY (MAN WITH AGAVE)
by Tamayo, Rufino
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Tamayo, Rufino (Mexican, 1899-1991). HOMBRE CON MAGUEY (MAN WITH AGAVE). Linocut, 1925. Signed in pencil. Printed on thin tissue. Edition size not stated. A smaill loss at the top edge, else in very good condition. Scarce.Tamayo was living in New York when he created this, and some other prints relating to the Mexican revolution.
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EARLY SPRING
by Tamayo, Rufino
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Tamayo, Rufino. Tamayo, Rufino. EARLY SPRING. Etching and intaglio, 1941. Not in Pereda. 13 7/8 x 10 5/8 inches; 354 x 270 mm. Edition of 4. Signed, titled and numbered in pencil. In excellent condition with a small repaired area in the extreme left margin, away from the image. It is likely that Tamayo did this atypical experimental print while working with S. W. Hayter in New York in 1941. Tamayo moved to New York In 1936 and in the late thirties and early forties he exhibited at the Valentine Gallery. He taught at the Dalton School in New York from 1938, and went back to Mexico in 1956. Tamayo developed a printmaking technique called "mixografia" through which he created images with dimension and texture; the intaglio work on this print, is likely an early example of his efforts toward this objective.
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SNOW ON ROOFTOPS
by Tanaka, Ryohei
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Tanaka, Ryohei (Japanese, 1933-2019). SNOW ON ROOFTOPS. Etching, 1985. Edition of 100. Signed in pencil and dated 1985, and numbered 75/100. 10 5/8 x 18 1/8 inches (plate), plus margins. Framed to 18 3/4 x 26 1/4 inches. In excellent condition.
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YOGO SNOW
by Tanaka, Ryohei
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Tanaka, Ryohei. YOGO SNOW. Etching and aquatint, 1979. Edition of 100. Signed and dated in pencil and numbered 84/100. Pale toning, else in very good condtion. 15 1/2 x 12 1/4 inches (plate), 18 7/8 x 14 1/2 inches (sheet)
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STORAGE SHED
by Tanaka, Ryohei
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Tanaka, Ryohei (Japanese, 1933-2019). STORAGE SHED. Etching, 1986. Edition of 100. Signed in pencil and dated 1986, and numbered 76/100. Printed in brown ink. 13 7/8 x 14 inches (plate), plus margins. Framed to 22 x 22 inches. In excellent condition.
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APACHE INDIAN BASKETS
by Tanner, Clara Lee
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1983. Tanner, Clara Lee. APACHE INDIAN BASKETS. U. of AZ Pr., Tucson, 1982. 4to., cloth, DJ, 204pp., illustrated. F/VG
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SOUTHWEST INDIAN PAINTING - A CHANGING ART
by Tanner, Clara Lee
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1973. Art-Native American. Tanner, Clara Lee. SOUTHWEST INDIAN PAINTING - A CHANGING ART. U of Arizona Pr., 1973 (2d Ed). 4to., cloth, DJ, 477pp., profusely illustrated. VG/VG
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SOUTHWEST INDIAN CRAFT ARTS
by Tanner, Clara Lee
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1983. Tanner, Clara Lee. PREHISTORIC SOUTHWESTERN CRAFT ARTS. U. of AZ Pr., Tucson, 1968. 4to., cloth, DJ, 206pp., illustrated. F/VG
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PREHISTORIC SOUTHWESTERN CRAFT ARTS
by Tanner, Clara Lee
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1983. Tanner, Clara Lee. PREHISTORIC SOUTHWESTERN CRAFT ARTS. U. of AZ Pr., Tucson, 1976. 4to., cloth, DJ, 226pp., illustrated. F/VG
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CINTA NEGRE
by Tapies, Antoni
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Tapies, Anotni (Spanish, 1923-2012). CINTA NEGRE. Etching and embossing in colors. Signed in pencil and numbered LIX/LXXXII. 13 1/2 x 20 3/8 inches (plate), 22 1/8 x 28 1/2 inches (sheet). Printed on heavy wove paper watermarked GVARRO. In excellent condition.
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THE "ORIGINAL POEMS" AND OTHERS
by Taylor and Adelaide O'Keefe, Ann and Jane
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PORTLAND, Maine, United States
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Bedford, F. D.. (Bedford, F. D.)illus. THE "ORIGINAL POEMS" AND OTHERS by Ann and Jane Taylor and Adelaide O'Keefe. Stokes, NY, 1905 (2d edition). 8vo., gilt pictorial cloth, 415pp., profusely illustrated by Bedford. Very Good, with some slight puckering of the cloth along the spine.
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PAINTING IN ENGLAND 1700-1850 - COLLECTION OF MR. & MRS. PAUL MELLON
by Taylor et al, Basil
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1963. Taylor et al, Basil. PAINTING IN ENGLAND 1700-1850 - COLLECTION OF MR. & MRS. PAUL MELLON. Va. Mus. of Fine Arts, Richmond, 1963. 2 vols., obl 4to. Vol 1, Text, Vol 2, Plates. Cloth-backed boards, illustrattions in color and b/w. Nr. F., no DJs.
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BABY'S BOOK
by Taylor, Ida Scott
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Brundage, Frances. (Brundage, Frances)illus. BABY'S BOOK by Ida Scott Taylor. Rapahel Tuck, London, 1904. Sm. 4to., padded silver-decorated cloth, poems, "Baby's First" this and that categories, 4 chromolithographs, plus b/w illustrations. VG, but cloth rather frayed at extremities.
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LITTLE ANN AND OTHER POEMS
by Taylor, Jane & Ann
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1882. Greenaway, Kate. (Greenaway, Kate)illus. LITTLE ANN AND OTHER POEMS by Jane & Ann Taylor. Wanrne, London & NY (c.1940s). [Schuster 109 (3)]. 8vo., illustrated boards, poems with illustrations in color throughout. Embossed library stamp on title page, else Fine.
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THE COVE
by Teichman, Sabina
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PORTLAND, Maine, United States
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Teichman, Sabina. Teichman, Sabina. THE COVE. Lithograph. Signed and titled in pencil. Sabina Teichman: (1905 - 1983). Studied at Columbia Univ. and under Charles Martin and Arthur Young. Member of Audubon Artists and PAAM. Exhibited at: Argent Gallery, NYC, 1947 (first solo show), Saltpeter Gallery, NYC, 1949, 52, and 54 (all solo shows), Shore Studios, Boston, 1955 and the ACA Gallery, NYC, 1957. Also at WMAA, Art USA,1958 and PAAM. Many shows include awards and prizes. Works at: WMAA, Butler Inst., Smithsonian, Fogg Mus. of Art., SFMA and Harvard Univ. Well listed.
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MR. FAST MOVING HUMAN CANNONBALL and MS. FAST MOVING HUMAN CANNONBALL
by Tekeian, Ed
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Tekeian, Ed. Tekeian, Ed. MR. FAST MOVING HUMAN CANNONBALL and MS. FAST MOVING HUMAN CANNONBALL. Ink and tracing paper on canvas, 2005. Each 18 x 20 inches, mounted to stretchers. Ed Tekeian is a Boston-based painter, sculptor and surf-board designer. His work has been shown at the Danforth Museum of Art in Framingham, MA., at galleries in the Boston area and at his own studio in the South End. Of his show at the Danforth, a reviewer commented: "In his first Danforth show, Boston-based Tekeian creates metallic masks that display menace and wit. A self-taught artist with a longtime interest in drawing and painting, his work has the power of primitive art and the self-mocking humor of a cartoon. Tekeian's welded "Steel Head Devil" is fierce and funny. Other masks, particularly, "Mr. Severe Tire Damage," have a disturbing tactile quality that hints of an original vision promising greater things.
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THE WALLACE COLLECTION (PAINTINGS) AT HERTFORD HOUSE
by Temple, A. G.
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1902. Wallace Collection. Temple, A. G. THE WALLACE COLLECTION (PAINTINGS) AT HERTFORD HOUSE. Goupil & Co., London, 1902. 4 vols., folio, 3/4 morocco gilt over cloth, by Ratchards, Picadilly. Edition of 250 copies. 94pp. text, 100 reproductions, most in two states, including mounted india-proof photogravures. Fine. A beautifully bound set.
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