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Orient Line Guide. Chapters for Travellers by Sea and by Land.
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Orient Line Guide. Chapters for Travellers by Sea and by Land.: Illustrated. The Fourth Edition, revised, with maps and plans.

by LOFTIE W.J.

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London: Sampson Low, Marston, Searle & Rivington Ltd, 1891. Publisher's blue hardback boards with gilt title to front and cloth spine. Information for passengers, illustrations of ships, charts, maps and ship plans etc. some fold-out. Boards slightly damp stained and bumped. Sporadic foxing. Overall good condition. XL, 439 pp. including interesting b/w advertisements of the time. 215 x 175 mm (8½ x 7 inches). The Orient Line was formed in the late 18th century, and by the middle of the 19th century was sailing its steamships all over the world. This guide predates its association with (and eventual absorption by) the Peninsular & Oriental Steam Navigation Company; or P&O.
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Moeurs, usages et costumes de tous les peuples du monde d'après des documents authentiques et...
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Moeurs, usages et costumes de tous les peuples du monde d'après des documents authentiques et les voyages les plus récents.

by WAHLEN, Auguste.

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Bruxelles: Librairie historique-artistique, 1843. First edition. 4 large in-8 volumes, (270 mm x 170 mm). Midnight blue half-sheepskin binding, embossed percaline covers, spines have gilt titles and decoration. Illustrated with hand coloured / hand finished engraved plates. These were created by the leading illustrators of the time, including Duverger, L. Markaert, R. King. The bindings are in very good condition, with a little rubbing to the edges only. Inside, the text and plates have light foxing throughout, but are overall in very good condition. Each copy online offers a different number of plates for each of the four volumes - but our copy seems to match the maximum collation for each variation (so seems complete.) The index is of limited use, as it only lists a proportion of the plates. In addition to the four title vignettes, we have: Europe (1844). 364 pages, 49 plates; Asie (1845). 592 pages, 82 plates; L'Afrique et l'Amérique (1844), 368 pages, 43 plates; l'Océanie (1845) 368 pages… Read More
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The Present State of the Controversie between the Church of England and the Church of Rome;
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The Present State of the Controversie between the Church of England and the Church of Rome;: Or, An Account of the Books written on both sides. In a Letter to a Friend.

by WAKE, William & CLAGETT, William.

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London: Tho. Basset, James Adamson, and Tho. Newborough. , 1687. First Edition. Pamphlet. A contemporary account / bibliography of the tracts and pamphlets published by both sides. Most of these were anonymous, and there are marginalia which name the author in most cases in a contemporary hand. Title, text, errata. The errata has been crossed out, and the corrections listed have been made by hand in the text. Clagett was particularly close friends with his eventual successor at Gray's Inn, William Wake, the future archbishop of Canterbury. Clagett saw through the press Wake's "The present state" while Wake was lying low in Dorchester, leading to its sometimes being erroneously credited to Clagett (including by Wing, who referenced it as C4390). The title leaf is detached and a little grubby. The text shows some light staining in places and has some marginal ink notes, the first few leaves are partially detached at the top, everything else is well bound together. Wake, William (1657–1737), became… Read More
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A View of the Art of Colonization with Present Reference to the British Empire in Letters Between...
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A View of the Art of Colonization with Present Reference to the British Empire in Letters Between a Statesman and a Colonist.

by WAKEFIELD, Edward Gibbon

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London: John W. Parker, 1849. A very nice rebound copy of this work. First edition. Bound in half brown leather with marbled boards. Clean and tidy with very slight rubbing only. The text block is clean, if fractionally darkened. Errata slip present. A classic work in the theory of colonization. Wakefield proposes among other things the creation of a colony in New Zealand to be administered by the Church of England, thus disarming missionary opposition. In fact, the first emigrant ships left for the Canterbury settlement in 1850, and Wakefield himself left for New Zealand in 1853, eventually settling in Wellington. 230 by 150mm (9 by 6 inches). xxiv, 1-514, 6 (ads). pp.
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Portrait of a Man with Red Hair.
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Portrait of a Man with Red Hair.

by WALPOLE, Hugh

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London: Macmillan and Co. Ltd, 1925. First Edition (Indian and Dominions Edition - simultaneous with First). Beautifully coloured hardback rebind, with each colour made from inlaid coloured cloth. Good clean condition, with a touch of handling only. No titles to spine. Internally clean and tidy throughout with just a touch of darkening to the pages. xii, 264 pages. 190 by 130mm (7½ by 5 inches).
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Finck Cabinet Advertising poster
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Finck Cabinet Advertising poster

by WALTER, Georg Aug. (Pub)

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Mainz: Georg Aug. Walkter Drucker, 1910. A nobleman, accompanied by two liveried servants with champagne glasses, looks through his lorgnette at an oversized bottle of sparkling wine. Advertising poster for the Josef Finck & Co sparkling wine cellars, (Hoflieferanten) Mainz. Anonymous color lithograph on cardboard by published by Georg August Walter, Mainz around 1910.With the title in stone and typographic address On light cardboard. There is a 7cm closed tear (with old repair) to the right edge, and a small chip to the top left corner. Otherwise in very good condition. 420 by 595mm (16½ by 23½ inches).
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Sir John Vanbrugh.
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Sir John Vanbrugh.: In two volumes.

by WARD, W.C.

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London: Lawrence & Bullen, 1893. Limited and numbered - #622 of 750 copies printed. Hardback two volume set. Maroon cloth boards with gilt stamped titles to spine. No markings. Good original state. Volume I has frontispiece (portrait) with tissue guard. Portrait has a few spots of foxing. Tissue guard has offsetting. Many gathers uncut. Volume I: lxxviii, 397 pp. Volume II: 410 pp. 230 x 155 mm (9 x 6 inches). Sir John Vanbrugh was an English architect, perhaps best known as the designer of both Blenheim Palace and Castle Howard. However, it is with his work as a dramatist that he offended many sections of 18th century society, not only with the sexual explicitness of his plays, but also with their messages in defence of a woman's rights within marriage.
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Drawings by Thomas Rowlandson in the Huntington Collection
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Drawings by Thomas Rowlandson in the Huntington Collection

by WARK, Robert R.

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San Marino: Huntington Library , 1975. An attractive copy of this first edition. Clean and tidy yellow dust wrapper. A touch of handling and fractional fading to the spine only. 513 of Rowlandson's illustrations with annotations and description of each. 398 pages. 270 by 200mm (10¾ by 7¾ inches).
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Injuries of the Jaws and Face. With Special Reference to War Casualties.
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Injuries of the Jaws and Face. With Special Reference to War Casualties.: With 194 illustrations.

by WARWICK JAMES, W. / FICKLING, B. W.

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London: John Bale & Staples Limited, 1940. Very scarce. First Edition. Burgundy cloth covered hardback boards with gilt titles to front and spine. No date, but preface dated July 1940 and neat owner's name, and rank, to front dated June 1941. A guide to facial reconstruction, and treating war casualties, with surgery and dentistry. Includes graphic photos and illustrations of war related injuries. Boards in very good condition. Endpapers are age toned, but the rest of the book is clean and bright; including the glossy photo paper used for illustrations. xi, 199 pages - including index. 250 x 160 mm (9¾ x 6¼ inches). William Warwick James OBE was one of the foremost dental surgeons of his time; and a pioneer in maxillofacial surgery. Benjamin William Fickling CBE was a dentist and doctor who played a major part in the development of oral and maxillofacial surgery as a specialised discipline. A seminal work by these two specialists.
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22nd Annual Boston International Antiquarian Book Fair Poster.
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22nd Annual Boston International Antiquarian Book Fair Poster.

by WATERS, Daniel

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Martha's Vineyard: The Indian Hill Press, 1998. Printed in black and red with a lovely 'woodcut' design by Daniel Waters. On thick cream paper. In a good condition, but has a small closed tear to one edge, and has signs of having been folded at some point. Blank to verso. 590 x 380 mm (23¼ x 15 inches).
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Twilight Tales.
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Twilight Tales.

by WEATHERLEY, F. E.

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New York: E. P. Dutton, 1890. First edition. Hardback illustrated boards with green cloth spine. Lovely children's poetry book, with wonderful colour illustrations by M. Ellen Edwards, and John C. Staples. Undated but WORLDCAT suggests circa 1890. 24 unnumbered pages. Boards are a bit rubbed and slightly soiled / handled. Inside, endpapers are age toned, other pages are still bright and clean. Staples rusted, but overall good. 155 x 125 mm (6 x 5 inches).
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Holly Boughs.
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Holly Boughs.

by WEATHERLEY, F. E.

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London: Hildesheimer and Faulkner, 1890. First edition. Hardback illustrated boards with green cloth spine. Lovely children's poetry book, with wonderful colour illustrations by M. Ellen Edwards, and John C. Staples. Undated but WORLDCAT suggests circa 1890. 24 unnumbered pages. Boards are a bit rubbed and slightly soiled. Back board has cup rings. Inside, endpapers have some offsetting. Book block a little loose, but pages are still bright and clean. Staples rusted, but overall good. 155 x 125 mm (6 x 5 inches).
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English Leadwork:
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English Leadwork: Its Art And History.

by WEAVER, Lawrence

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London: B.T. Batsford, 1909. First Edition. Hardback. Good ex-library copy in bright red cloth with gilt titles to spine. There are 441 b/w illustrations. Expected library stamps inside. Small repair to edge of half title. Two pages reinforced at rear. Good condition. 268 pages. 295 x 225 mm (11½ x 8¾ inches).
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Kritische Graphik.
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Kritische Graphik.: Handzeichnungen und Lithographien aus vierzig Jahren.

by WEBER, A. Paul

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Hamburg: Hoffmann und Campe Verlag, 1973. Limited edition of 150 copies, with a signed original lithograph by A. Paul Weber in its own dark brown cloth hardback cover. In original linen covered slipcase, along the hardback book in its dust jacket. The book is 49 pages of Weber's illustrations. All in very good / almost fine condition. 335 x 250 mm (13¼ x 9¾ inches). . Limitierte Auflage von 150 Exemplaren, mit einer signierten Original-Lithographie von A. Paul Weber in einem eigenen dunkelbruinzenen Hardcover-Einband. Im originalen, mit Leinen bezogenen Schuber, zusammen mit dem gebundenen Buch im Schutzumschlag. Das Buch umfasst 49 Seiten mit Webers Illustrationen. Alles in sehr gutem Zustand. 335 x 250 mm
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Holzschnitte.
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Holzschnitte.: Die Betfahrt des Bruder Gramsalbus.

by WEBER, Veit

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Berlin: Friedrich Maurer, 1793. First edition. Contemporary half leather binding with black label and gilt titles to spine. A little rubbing and darkening to the boards. Bookplate of the textile industrialist Franz Pollack Parnau of Vienna to the inside front board. Frontis engraving of a dubious looking abbot, by Swiss engraver Johann Heinrich Lips. Text in black gothic script (German). Embellished with six beautiful chapter heading engravings. Internally in excellent condition. A little foxing to the end papers but the rest is very clean. These woodcuts are biographical pieces, mainly aimed against the Roman Catholic church. Described as: sharp satire against monasticism and priesthood: Hayn-Got. VIII, 328. Veit Weber was the pseudonym of Georg Philip Ludwig Leonhard Waechter (1762-1837). A writer of fiction, and briefly a revolutionary. As a young man he went to France, and joined the citizen army, he only returned to Germany when he was wounded. 428 pages. 170 x 110 mm (6¾ x 4¼ inches). .… Read More
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Rhymes, Recitations, Jingles, and Games, for infants and juniors and for Entertainments
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Rhymes, Recitations, Jingles, and Games, for infants and juniors and for Entertainments

by WEBSTER, W.H.

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Leeds: E.J. Arnold & Son Ltd. Educational Publishers, 1920. First Edition. Collected and arranged by W.H. Webster. [With musical notes.] Published in the "A.L." Educational Series. Original red hardback boards with black printed titles and picture of children playing to the front board. Title to spine. Clean and tidy cloth, with a little fading / marking to the open edge. Very slight fading to the spine. Darkened end papers, otherwise clean and tidy throughout. 148 [ii] pages. Webster states that the majority of the content is new, and has not appeared in print before. There is a contents, and a classified list of items (aimed at teachers). Although an educational book, this is a significant part of the gathering of folk songs and rhymes, which was popular in the late nineteenth and early twentieth centuries. Conforms to FirstSearch OCLC Number: 820751931 FirstSearch states only one library copy (BL). 210 by 170mm (8¼ by 6¾ inches). . Première édition. Recueilli et arrangé par W.H. Webster.… Read More
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The Children's Picture Fable-Book containing one hundred and sixty fables.
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The Children's Picture Fable-Book containing one hundred and sixty fables.

by WEIR, Harrison

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London: George routledge and Sons, 1894. First Edition. Brown buckram with illustrated boards with gilt and black design and titles. The gilt is a little rubbed and there is some bumping to the edges. Binding is a little bumped and one of the illustrations (p118) is partially loose (to the lower half) but still holding in place. Small repair to the edge of the frontis illustration with archival tape. Some pencil under-linings to difficult words throughout suggest this was used as an educational aid. There is a fairly large hole in page 65/66 (see photographs). Still in reasonably sound condition overall though. Essentially a re-telling of Aesop's fables with the moral to the end of each tale. Attractive black and white engravings. Viii, 280 pages. 190mm x 150mm . Première édition. Bougran brun avec des planches illustrées avec des dessins et des titres dorés et noirs. La dorure est un peu frottée et il y a quelques bosses sur les bords. La reliure est un peu bosselée et l'une des illustrations… Read More
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Constance Trescot.
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Constance Trescot.

by WEIR MITCHELL, S.

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New York: The Century Co, 1905. Nice clean reprint edition of the novel. Signed by the author with a gift inscription to the Dutch novelist Van Der Poorten Schwartz (Maarten Maartens). Original blue cloth with gilt titles. A touch of handling / bumping to the covers only. Internally clean and tidy with a little foxing to the end papers. 384 pages. 200 by 140 mm (7¾ by 5½ inches). "In 1905, Mitchell seemed to take on the challenge of violence set by The Virginian, while teasing out the moral complications it avoided, in his novel Constance Trescot. This work takes a young married couple from New England to Missouri,here named 'the wilder West'. The husband, lawyer Hugh Trescot, is challenged to a duel by the creole villain Greyhurst. Trescot resists the challenge, debating issues of cowardice, violence and honor at some length. Ultimately, however Greyhurst shoots the unarmed Trescot, and he goes unpunished."- Christine Bold ; Constance vows to track down Greyhurst herself, at any cost.
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A Bibliography of American Children's Books.  Printed Prior to 1821.
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A Bibliography of American Children's Books. Printed Prior to 1821.

by WELCH, d'Alté A.

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American Antiquarian Society and Barre Publishers, 1972. First edition. Hardback in green cloth, with gilt title to spine. Both book and contents in fine condition. lxvi, 495 pp. + index. 260 x 190 mm (10¼ x 7½ inches).
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Das Buch Tobias.  Mit zwölf Radierungen von Walter Wellenstein.
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Das Buch Tobias. Mit zwölf Radierungen von Walter Wellenstein.

by WELLENSTEIN, Walter; RUHKOPF, Dr. Karl,

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Berlin: Volksverband der Bücherfreunde, Wegweiser-Verlag G.M.B.H., 1925. First edition. Large hardback. Half brown leather, with portrait illustration to front. 34 pages. 12 unnumbered leaves of copperplate engravings - all signed in pencil by the artist. Boards are lightly handled at corner, book contents in a very good and exceptionally clean condition. 395 x 290 mm (15½ x 11½ inches). Erste Ausgabe. Großes Hardcover. Halbbraunes Leder, mit Porträtillustration auf der Vorderseite. 34 Seiten. 12 nicht nummerierte Kupferstichblätter – alle vom Künstler mit Bleistift signiert. Das Buch ist an den Ecken leicht angekratzt, der Buchinhalt ist in einem sehr guten und außergewöhnlich sauberen Zustand. 395 x 290 mm.
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