Search Results: Titles starting with U from First Folio

Williamsburg, VA: Moebs Publishing Company, 1989. As new in dust jacket. XI. 826p, IV, (ii). Red cloth with gilt spine titles and pictorial gilt device on spine and upper cover, illustrated endpapers.

Rome: Appresso Gioacchino, e Giovanni Giuseppe Salvioni Stampatori Pontifici Vaticani, 1758. A little internal spotting, minor rubbing to binding with chipping loss to spine foot, but remarkably well preserved, slipcase similar. There are a series of small holes where clasps were attached. xxx, [ii], 598p. Printed in red and black and illustrated with 14 full-page engravings, head- and tail-pieces, and historiated initials. Bound in full contemporary calf with marbled paste-downs and ornate gauffering, a.e.g., the spine and covers with extensive gilt decoration including a tool of a bird with an olive branch and urns with flowers. Housed in full leather pull-off box lined with pattern paper and decorated with panel designs. Holy Week Offices.

Chicago: Path Press, 1969. Very good in poor d.j.. [viii], 349p. Gilt-titled tan cloth.

Richmond, VA: B.F. Johnson, 1899. First edition. Near fine, bright and tight. First edition. 245p. Illustrated. Blue cloth with titles and designs in black and gilt. Dialect.

Indianapolis: Minsip Publishing, 1937. First edition. Some external blemished, VG-. First edition. 160p. Photo portrait frontispiece. Gilt-titled black cloth. Essays and poetry. Quite scarce.

New York: The Art Institute of Chicago and Harry N. Abrams, Inc, 1989. First edition. Minor spotting to top edge of text block, else fine in fine dust jacket. First edition. Quarto. 552p. Illustrated in black and white and color. Bound in black-titled white cloth. "Universal Art Limited Editions... is a thorough study of the activities of ULAE up to the time of Tatyana Grosman's death. It includes... brief biographical essays by Esther Sparks about each of the artists who made prints there, accompanied by selected colorplates and halftones of important prints, and a complete catalogue of all prints made there during the years covered by the volume... There is a section for the works of each artist, with the prints listed chronological order of publication, and complete documentation for each print... that may be useful to curators and collectors." (Jacket blurb).

London: Martin Seeker, 1933. Limited to 950 copies. Near fine. Limited to 950 copies. Tall 8vo. 139p. With six illustrations by Ricketts, the cover design in red executed by Reginald Savage after a rough design by Ricketts. Bound in tan cloth with the designs in red and with gilt spine titles, t.e.g.

New York: Goldsmith Publishing Co, 1929. Fine. 6pp in staple bound self wrappers. The covers and and two pages in full color. This Compliments of "Brager-Eisenberg, Baltimore's Dominant Thrift and Gift Store

London: Merivale Editions, n.d.. No. 222 of 500 copies numbered and signed by the artist. Fine. No. 222 of 500 copies numbered and signed by the artist. Priginal 4 color lithograph. Sheet size 11 1/5" x 11 1/4". Image size 6" x 8 1/2

Los Angeles: (Dawson's Book Shop) Bela Blau, 1970. Fine. Miniature book (1 5/8 x 1 3/16"). 31p. Frontispiece by Tom Neal. Gilt-titled brown boards with marbled endpapers. Signed by Francis J. Weber.

Los Angeles: (Dawson's Book Shop) Bela Blau, 1970. Fine. Miniature book (1 5/8 x 1 3/16"). 31p. Frontispiece by Tom Neal. Gilt-titled green boards with marbled endpapers.

New York: Farrar, Straus & Giroux, 1971. First edition. Fine in vg d.j. (light soil). First edition. [v], 386p. Illustrated. Gilt-titled blue cloth.

New York: Eaton & Mains, 1909. Revised edition of her FROM DARKNESS TO LIGHT. Very good. Revised edition of her FROM DARKNESS TO LIGHT. xix, 336p. Illustrated. Gilt-titled tan cloth. Interesting discussion of the "evolution" of Blacks in America, from Africa through the nineteenth century.

New York: Eaton & Mains, 1909. Revised edition of her FROM DARKNESS TO LIGHT. Very good -. Revised edition of her FROM DARKNESS TO LIGHT. xix, 336p. Illustrated. In blue printed wrappers. Interesting discussion of the "evolution" of Blacks in America, from Africa through the nineteenth century.

New York: Limited Editions Club, 1934. No. 1180 of 1500 copies signed by Bruce Rogers. Just a touch of yellowing to the portion of the vellum on the upper cover, else fine and bright, pages unopened. Lacking slipcase.. No. 1180 of 1500 copies signed by Bruce Rogers. 4to. (x), 165p, colophon. Designed and decorated by Bruce Rogers with sepia fleuron ornaments and reproductions of sixteenth-century woodcuts. Bound in gilt-titled quarter vellum with pattern paper sides, t.e.g., Quarto-Millenary no. 64.

Columbus, OH: Mulligan Bros. Very good. Mulligan's advertising on reverse.