Has Modernism Failed?

Thames & Hudson, 1985. Paperback. Good. Disclaimer:Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed.

Thames & Hudson. Used - Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Thames & Hudson, 1984-01-01. Hardcover. Very Good/Good. 9x6x0. Hardcover. Good in Good dust jacket. Evident wear. Interior clean and unmarked. Tight binding.

New York: Thames and Hudson, 1985. 133 pages; 24 cm. First published, 1984. Near fine. Tight, clean copy. Light edgewear to wraps, age toning. Another copy available. "Has Modernism Failed? is an explosive indictment of modern art. It is one of the few books by a serious art critic to confront the social situation of contemporary art, to describe the… Read more about this item

Thames & Hudson, 1988. Book. Very Good. Soft cover. 8vo - over 7¾ - 9¾" tall. In-8, broché, Très Bon Etat.

Thames & Hudson. Used - Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.

Thames and Hudson, 1984. First Edition. Hardcover. Very Good/Very Good. 9x6x0. The binding is tight, corners sharp. Text unmarked. The dust jacket shows some very light handling, in a mylar cover. 8vo. 133pp.

New York: Thames and Hudson, 1985. 133 pages; 24 cm. First published, 1984. Tight, clean copy. Reprint, 2000. "Has Modernism Failed? is an explosive indictment of modern art. It is one of the few books by a serious art critic to confront the social situation of contemporary art, to describe the resonance between the differing styles, forms and attitudes of… Read more about this item

Thames & Hudson, 1985-08. Paperback. Good.

Paperback. Very Good.

Gablik, Suzi., Pub. by Thames & Hudson, nd, c, 1984. Hardcover. Good.

New York: Thames and Hudson Inc., 1987. Previous Owner Markings (Including Highlighting and Underlining); Light Creasing on Front, Rear Covers; Front, Rear Covers, Spine Lightly Chipped; Spine Slightly Cocked; Edges Lightly Soiled; Slight Yellowing Due to Age. ALSO KNOWN AS: Portions of this book have appeared previously in Art in America and The New Criterion. CONTENTS: … Read more about this item

London: Thames & Hudson, 1986.. Autographed. 8vo. 133 pp. Soft cover. Very Good. Illustrated paper wraps. Some shelf wear. Some light highlighting on a few pages, likely in the hand of Peter Selz. Signed by Peter Selz on first page, and dated 1986.ISBN: 0500273855 9780500273852.From the Collection of the Art Historian Peter Selz.

Used - Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.

New York: Thames and Hudson, 1984. Hardbound. VG, except few pencil checkmarks in text. Grey boards, red spine; black dj; 133 pp. "One of the few books by a serious art critic to confront the social situation of contemporary art, to describe the resonance between the myriad styles, forms, and attitudes of contemporary art and the moral and… Read more about this item

Thames & Hudson. Used - Very Good. Ships from the UK. Used book that is in excellent condition. May show signs of wear or have minor defects.

United Kingdom: Thames & Hudson, 1985. 133 pgs. Literary Crit Art & Culture.. Trade Paperback. As New.

Thames & Hudson, 1997. Paperback. Very Good.

London: Thames and Hudson, 1988. Reprint . Soft cover. Very Good+. Janel Doyle cover. 29,237 shelf. Slim trade paperback, gray covers. A few scattered inked marks to text. With extensive bibliography. Solid.

Thames and Hudson, 1987. Paperback. Very Good. Unmarked text. Sun fading on spine. 133p. Bibliography. Written in the 1980s, Gablik concludes that contemporary art was without purpose or moral authority. She questions whether the allegedly radical artists of the time reflect the culture of consumerism more than they challenge it.