Peter Lely

London: Courtauld Gallery, 2012. Paperback. VG. Color-illustrated wraps with white and blue lettering. 152 pp. Mainly color illustrations. "Sir Peter Lely (1618-1680) was Charles II's Principal Painter and the outstanding artistic figure of Restoration England. When Lely arrived in England in the early 1640s his ambition was to be a painter of narrative scenes and not to work… Read more about this item

US: Paul Holberton Publishing, 2012. 1st. Softcover. Very Good/None. 152 pages, illustrated throughout in color and b&w. Clean, unmarked copy with only minor wear to wrappers. Sir Peter Lely (1618-1680) was Charles II’s Principal Painter and the outstanding artistic figure of Restoration England. When Lely arrived in England in the early 1640s his ambition was to be a… Read more about this item

London : The Courtauld Gallery in association with Paul Holberton, 2012. Paperback Edition. Softcover. Fine paperback copy. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Physical description; 152 pages : illustrations (some color), portraits ; 26 cm. Subjects; Lely, Peter 1618-1680 Criticism and interpretation ; Exhibitions. Lely, Peter 1618-1680 ; Exhibitions. Lovelace, Richard 1618-1658 Friends and… Read more about this item

2012 very good, large format paperback. Illustrated. Issued to accompany the Courtauld Gallery 2012-13 exhibition. Crease to front cover. (R 07/22 - B:21011028).

Paul Holberton Publishing / The Courtauld Gallery. ** FINE SOFTCOVER ** OVERSIZED - QUARTO ** NOT A LIBRARY BOOK ** CLEAN, STAIN-FREE, UNMARKED ** SPINE UNCREASED AND UNBROKEN ** MANY ILLUSTRATIONS ** Published by The Courtauld Gallery and Paul Holberton Publishing, 2012, with 152 pages, numerous illustrations, 4to. Slight signs of use right at the corner-tips of the book's cover,… Read more about this item

Paperback. New. Sir Peter Lely (1618-1680) was Charles II's Principal Painter and the outstanding artistic figure of Restoration England. When Lely arrived in England in the early 1640s his ambition was to be a painter of narrative scenes and not to work as a portraitist. However, the 'subject pictures' did not find favor with many English patrons and… Read more about this item