Alturas de Macchu Picchu by Neruda, Pablo; Photographs by Martin Chambi - 1954

Atlantic Beach, Florida:: Linda Broadfoot,, 2014.. Edition of 30. Box 6.5 x 7 x 9.5" containing ten 5 x 7.5 x .5" double-sided panels. Poems letterpress printed on Hahnemühle Ingres paper using Perpetua type cast by Michael & Winifred Bixler. Text overprinted with a transparent honeycomb pattern. Archival pigment print images on Hahnemühle Photo Silk Baryta paper. Images and poems mounted on Russian birch plywood, foreedges coated with beeswax, and encased within a fabricated one-half scale maple Langstroth beehive box structure. Title and bee image engraved on the cover. Title page mounted on the interior side of the lid. Signed and numbered. Hive was produced over the course of two years and contains nine poems from The Bees by Carol Ann Duffy with images and design by Linda Broadfoot. Linda Broadfoot: "Hive was created to reveal the wonder of sunlit bees in the air and the mystery of the hive. The images and the physical structure of the book came from my… Read More

New York: The Limited Editions Club, 1988. First Edition. Near Fine. Limited edition of 550 copies; this copy is #136 with authorized facsimile signature of De Kooning. Elephant folio. Black Nigerian goatskin lettered in gilt, housed in black cloth clamshell case with gilt lettered black leather spine label. Includes 13pp. staplebound Limited Editions Club Letter. A bit of waviness to a few pages in middle of book, else Fine, housed in Very Good slipcase with worn spot to back edge of spine, a bit of pilling to cloth. Letter has small light crease to bottom corners, else near fine. 17 original lithographs by De Kooning, reproduced from charcoal drawings, illustrating the New York School poet's ode to the Dutch-American abstract expressionist painter.

Amsterdam: Daniel van den Dalen, 1691-1693. Four books and one pamphlet in two volumes. Quarto. [4],[4],[16],138,[2];[8],262,[2];11; [8],32,188,[2];[6],277,[3] pp., including portrait frontipiece and facing description leaf in first volume and in-text illustration of the Oldenburg Horn on p. 141 of fourth book. Contemporary parchment, manuscript spine titles. Autograph signature of the author on half-title verso of first book, title-page verso of second book, and following the introductions of third and fourth books. Matching contemporary ownership inscriptions of C. V. D. Hell on title pages of first and third books; early ownership inscription of "[?]. [?]. v. d. Bosch" on front free endpaper of both volumes; 1961 gift inscription on front free title page of first volume; occasional contemporary underlining and marginalia throughout; booksellers' pencil notations in front and rear endpapers of both volumes. Boards bowed, parchment moderately soiled and, in first volume, turn-ins separating from… Read More

London: Richard Griffin and Company, 1861. A lovely near-fine copy, the binding firm and bright. The contents with a previous owner's bookplate to the front pastedown and a little spotting to the endpapers, are otherwise clean and fresh throughout. A superb example of a very scarce title. 8vo (21.8 x 15.7 cm). Publisher's original green cloth with gilt titles and decoration to the upper board and spine, gilt to all page edges. Illustrated with 20 mounted albumen prints. FIRST EDITION of one of the earliest works of poetry to be illustrated by photography. The anthology combines extracts from authors including Keats, Clare, Wordsworth, Cowper, and Longfellow, with mounted photographs depicting idyllic scenes of contemporary rural life by the renowned stereographer William Morris Grundy (1806-1859), to create a harmonious interweaving of verse and imagery. Grundy was born in Birmingham, moving to Sutton Coldfield in 1850. Initially taking up photography as a hobby in 1855, he went on to achieve… Read More

Frontispiece portrait of the author by Richard Cosway; two folding plates : "The English balloon and appendages in which Mr. Lunardi ascended into the Atmosphere..." and "Apparatus for filling Mr. Lunardi's balloon." Original sturdy full gilt ruled red morocco. Large gilt "A" to head of spine followed by title; gilt inner dentelles, gilt tooled edges. Tasteful bookplate of Revernd Richard Dickson to front pastedown together with small circular plate of Frances L. Dickson. Sixty-six oddly paginated pages (pp. 25-32 numbered 33-40, without loss & with proper catchwords) followed by Explanation of the Plates and one page of publisher's advertisements . A nicely bound copy without the usual losses. ; 12 mo; 67,[i] pages; 13 x 20.5 cm.; Signed by Author; All shipments through USPS insured Priority Mail.

Atlantic Beach, Florida:: Linda Broadfoot,, 2014.. Edition of 30. Box 6.5 x 7 x 9.5" containing ten 5 x 7.5 x .5" double-sided panels. Poems letterpress printed on Hahnemühle Ingres paper using Perpetua type cast by Michael & Winifred Bixler. Text overprinted with a transparent honeycomb pattern. Archival pigment print images on Hahnemühle Photo Silk Baryta paper. Images and poems mounted on Russian birch plywood, foreedges coated with beeswax, and encased within a fabricated one-half scale maple Langstroth beehive box structure. Title and bee image engraved on the cover. Title page mounted on the interior side of the lid. Signed and numbered. Hive was produced over the course of two years and contains nine poems from The Bees by Carol Ann Duffy with images and design by Linda Broadfoot. Linda Broadfoot: "Hive was created to reveal the wonder of sunlit bees in the air and the mystery of the hive. The images and the physical structure of the book came from my… Read More

New York: The Limited Editions Club, 1988. First Edition. Near Fine. Limited edition of 550 copies; this copy is #136 with authorized facsimile signature of De Kooning. Elephant folio. Black Nigerian goatskin lettered in gilt, housed in black cloth clamshell case with gilt lettered black leather spine label. Includes 13pp. staplebound Limited Editions Club Letter. A bit of waviness to a few pages in middle of book, else Fine, housed in Very Good slipcase with worn spot to back edge of spine, a bit of pilling to cloth. Letter has small light crease to bottom corners, else near fine. 17 original lithographs by De Kooning, reproduced from charcoal drawings, illustrating the New York School poet's ode to the Dutch-American abstract expressionist painter.

Amsterdam: Daniel van den Dalen, 1691-1693. Four books and one pamphlet in two volumes. Quarto. [4],[4],[16],138,[2];[8],262,[2];11; [8],32,188,[2];[6],277,[3] pp., including portrait frontipiece and facing description leaf in first volume and in-text illustration of the Oldenburg Horn on p. 141 of fourth book. Contemporary parchment, manuscript spine titles. Autograph signature of the author on half-title verso of first book, title-page verso of second book, and following the introductions of third and fourth books. Matching contemporary ownership inscriptions of C. V. D. Hell on title pages of first and third books; early ownership inscription of "[?]. [?]. v. d. Bosch" on front free endpaper of both volumes; 1961 gift inscription on front free title page of first volume; occasional contemporary underlining and marginalia throughout; booksellers' pencil notations in front and rear endpapers of both volumes. Boards bowed, parchment moderately soiled and, in first volume, turn-ins separating from… Read More

London: Richard Griffin and Company, 1861. A lovely near-fine copy, the binding firm and bright. The contents with a previous owner's bookplate to the front pastedown and a little spotting to the endpapers, are otherwise clean and fresh throughout. A superb example of a very scarce title. 8vo (21.8 x 15.7 cm). Publisher's original green cloth with gilt titles and decoration to the upper board and spine, gilt to all page edges. Illustrated with 20 mounted albumen prints. FIRST EDITION of one of the earliest works of poetry to be illustrated by photography. The anthology combines extracts from authors including Keats, Clare, Wordsworth, Cowper, and Longfellow, with mounted photographs depicting idyllic scenes of contemporary rural life by the renowned stereographer William Morris Grundy (1806-1859), to create a harmonious interweaving of verse and imagery. Grundy was born in Birmingham, moving to Sutton Coldfield in 1850. Initially taking up photography as a hobby in 1855, he went on to achieve… Read More

Frontispiece portrait of the author by Richard Cosway; two folding plates : "The English balloon and appendages in which Mr. Lunardi ascended into the Atmosphere..." and "Apparatus for filling Mr. Lunardi's balloon." Original sturdy full gilt ruled red morocco. Large gilt "A" to head of spine followed by title; gilt inner dentelles, gilt tooled edges. Tasteful bookplate of Revernd Richard Dickson to front pastedown together with small circular plate of Frances L. Dickson. Sixty-six oddly paginated pages (pp. 25-32 numbered 33-40, without loss & with proper catchwords) followed by Explanation of the Plates and one page of publisher's advertisements . A nicely bound copy without the usual losses. ; 12 mo; 67,[i] pages; 13 x 20.5 cm.; Signed by Author; All shipments through USPS insured Priority Mail.