Rufino Tamayo

New York: Quadrangle Press, 1947. Cloth. Good. Red cloth. No jacket. Folio. 131 pages. Black and white illustrations throughout, along with Tipton color plates. A monograph on the art of Rufino Tamayo, a Mexican painter. Working in a combination of media, he infused cubism and surrealism with aspects of his native Mexican culture. Good condition. Heavy offsetting and… Read more about this item

Instituto Nacional de las Bellas Artes, 1976. Paperback. Good. 0x0x0. Staple bound. Clean, unmarked. Exterior rubbed. Text in Spanish. Photos available. We ship daily. Expedited shipping available!

Solomon R Guggenheim Museum, 1979. Book. Near Fine. Soft cover. Signed by Artist. 1st Edition.. A lovely copy signed by Tamayo on the title page..

Marlborough Gallery, 1990. Book. Near Fine. Oversize Paperback.

Guggenheim Museum , 1979. 1st Edition 1st Printing. Soft cover. Near Fine/No Jacket, As Issued . Softcover (only format that was issued), stated limited edition of 4,500. 10 x 8.5 in., 248 pages. In near fine condition, clean and unmarked, appears unread, with only slight shelf wear. Signed by Rufino Tamayo on title page. … Read more about this item

New York: Marlborough Gallery, 1981.. 1981.. Very good. - Quarto [approximately 11-1/2 inches high by 8-1/4 inches wide], softcover bound in color pictorial wrappers. The binding is lightly bumped with the rear wrap rubbed & light rubbing to the front wrap & spine. 40 pages. 16 full-page color illustrations with captions on the facing pages. There is a gift inscription… Read more about this item

Instituto Nacional de las Bellas Artes, 1974. Paperback. Good. 0x0x0. Staple bound. Clean, unmarked. Moderate exterior wear. Text in Spanish. Photos available. We ship daily. Expedited shipping available!

1973. TAMAYO, Rufino. RUFINO TAMAYO. Oil Paintings, 1972-1973. Nov. 6 - Dec. 8, 1973. NY; Perls Galleries, 1973. Exhibition catalogue. Oblong 8vo., wrappers, illustrated. Slightly soiled. Very good.

Firenze: Centro Di, , 1975. Brossura (wrappers). Ottimo (Fine). Volume edito in occasione della mostra di Firenze, Palazzo Strozzi, dal 1 marzo al 30 aprile 1975. Testi di Fernando Gamboa, Luigi Tassinari, Ugo Zilletti, Piero Micheli, Alberto Paoli, Octavio Paz, Mario De Micheli, Umberto Baldini. Con 101 tavole in nero e a colori. Biografia. 8vo. pp. 140.… Read more about this item

Museo Tamayo. Used - Very Good. Museo Tamayo, 1983. 4to Paperback. 34pp. Spanish and English. B/W and color plates. Very Good book. (art, paintings, exhibitions) Inquire if you need further information.

New York: Marlborough, 1985. 40 pages, colour illustrations; 30 cm. Published on the occasion of an exhibition held October 9 to November 2, 1985, Marlborough Gallery Inc., New York. Near fine. Firm binding, clean inside copy. Light shelfwear to wraps, age toning. . 1st. Paperback. Very Good. Oblong.

NY: RIZZOLI.. Near Fine with no dust jacket. 1982. Poster. Promotional POSTER. (22" X 29 3/4") Near fine on sheet of heavy cardstock. (Faint foxing at margins. Not affecting image. ) Features a full-color painting by Tamayo. Suitable for framing. ; 22" X 29 3/4" .

Barcelona: Ediciones Poligrafa, 1995. Second (revised) edn. 4to, pp. 318. Commentary by Octavio Paz and Jacques Lassaigne. With 269 full color illustrations and 55 in black and white. Corners of cover scuffed, o/w a nice copy in little soiled and wrinkled dj. Heavy.

New York: Associated American Artists, 1993. Paperback (stapled). Very Good. Very light wear to wraps, blindstamp to front wrap. Interior is clean, tight, and bright. Price list laid in.

New York: Marlborough Gallery, 1990. First edition. Softcover, glossy pictorial wrpas. Quarto.68pp. 30 color illustrations. Near Fine.

Fine. Near fine.

New York: Marlborough Gallery, 1981. Text: EN. 38 p.; ills.; 21 x 29,5 cm; 280 g. Fine copy. Exhibition Catalog. Soft Cover. Good. Book.

Phillips Collection, 1978-01-01. Unknown Binding. Like New.

Marlborough Gallery. PAPERBACK. VG. Binding solid, pages crisp and clean, no markings found. Covers bright and shiny with light scuffs and dents. Extremities lightly bumped with creased top corners.