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Chicano Art Inside/Outside the Master's House: Cultural Politics and the Cara Exhibition Paperback - 1998
by Alicia Gaspar De Alba
In the early 1990s a major exhibition--"Chicano Art: Resistance and Affirmation, 1965-1985"--toured major museums across the United States. The exhibit attracted both praise and controversy. This book presents the first interdisciplinary cultural study of the CARA exhibit. Alicia Gaspar de Alba shows how the exhibit reflected, and serves as a model for, the cultural and sexual politics of the Chicano Movement. 20 color and 58 b&w photos.
Details
- Title Chicano Art Inside/Outside the Master's House: Cultural Politics and the Cara Exhibition
- Author Alicia Gaspar De Alba
- Binding Paperback
- Edition First Edition
- Pages 332
- Volumes 1
- Language ENG
- Publisher University of Texas Press, Austin
- Date 1998-01-01
- Features Bibliography, Index
- ISBN 9780292728059 / 0292728050
- Weight 1.29 lbs (0.59 kg)
- Dimensions 9.23 x 6.05 x 0.82 in (23.44 x 15.37 x 2.08 cm)
-
Themes
- Ethnic Orientation: Chicano
- Ethnic Orientation: Hispanic
- Library of Congress subjects Politics in art, Mexican American art
- Library of Congress Catalog Number 97011398
- Dewey Decimal Code 704.036
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Chicano Art Inside Outside the Master's House : Cultural Politics and the Cara Exhibition
by Alicia Gaspar de Alba
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Austin, TX: University of Texas Press, 1998. xxi, 308 pages, illustrations (some colour); 24 cm. Tight, clean text. Light dust spotting/top edge. "In the early 1990s, a major exhibition--Chicano Art: Resistance and Affirmation, 1965-1985--toured major museums around the United States. As a first attempt to define and represent Chicano/a art for a national audience, the exhibit attracted both praise and controversy, while raising fundamental questions about the nature of multiculturalism in the U.S. This book presents the first interdisciplinary cultural study of the CARA exhibit. Alicia Gaspar de Alba looks at the exhibit as a cultural text in which the Chicano/a community affirmed itself not as a "subculture" within the U.S. but as an "alter-Native" culture in opposition to the exclusionary and homogenizing practices of mainstream institutions. She also shows how the exhibit reflected the cultural and sexual politics of the Chicano Movement and how it serves as a model of…
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Chicano Art Inside/Outside the Masters House: Cultural Politics and the CARA Exhibition
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Chicano Art Inside/Outside the Master's House – Cultural Politics and the CARA Exhibition
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