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Dear Darkness
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Dear Darkness Hardcover - 2008 - 1st Edition

by Kevin Young


From the publisher

Las Vegas, Nashville, the Midwest, his family's Louisiana home, the state of despair: these are the places that Kevin Young visits in this, his powerful sixth book of poetry. Facing the sudden loss of his father, Young pays homage to his significant clan: to aunties and double cousins, and a great-grandfather's grave in a segregated cemetery. At the book's heart is a series of highly original food odes, poems that grow out of hunger and pain and find a way to satisfy both. Whether in Ode to Pork (I know you're the blues / because loving you / may kill me) or in addresses to collard greens, catfish, and kitchen grease, Young counts his losses and our blessings, knowing inside / anything can sing. And Young is still singing the blues, though now with a touch of country and western, burnished by loss and a hard-won maturity, delivering poems that speak to our cultural losses, even as he buries his own, sadder than / a wedding dress / in a thrift store. What we love will leave us or is it we leave what we love, Today, belly full enough to walk the block after all week too cold outside to smile-- from I shall be released

Details

  • Title Dear Darkness
  • Author Kevin Young
  • Binding Hardcover
  • Edition number 1st
  • Edition 1
  • Pages 196
  • Volumes 1
  • Language ENG
  • Publisher Knopf Publishing Group, US
  • Date 2008-09-09
  • ISBN 9780307264343 / 0307264343
  • Weight 1.08 lbs (0.49 kg)
  • Dimensions 9.24 x 6.7 x 0.94 in (23.47 x 17.02 x 2.39 cm)
  • Library of Congress subjects American poetry
  • Library of Congress Catalog Number 2008007957
  • Dewey Decimal Code 811.54

Excerpt

EulogyTo allow silenceTo admit it in usalways movingJust pastsenses, the darknessWhat swallows usand we live amongstWhat lives amongst us*These grim anchorsThat brief sanctitythe seaCast quite farwhen you seek—in your hats blackand kerchiefs—to bury me*Do not weepbut once, and a longtime thenThereafter eat tillyour stomach spills overNo more! you’ll crytoo full for your eyesto leak*The words will wait*Place me in a plainpine box I have beenfor years buildingIt is splintersnot silverIt is filled of hair*Even the tonguesof bells shall still*You who will bearmy body alongSpirit me into the sixDo not startleat its lack of weightHow lightI shall be releasedWhat we lovewill leave usor is itwe leavewhat we love,I forget—Today, bellyfull enoughto walk the blockafter all weektoo coldoutside to smile—I think of you, warmin your underground roomreading the bookof bone. It’s hard going—your body a deadlanguage—I’ve begunto feel, if nothope then whatcomes just after—or before—Let’s not call itregret, butthis weight,or weightlessness,or justplain waiting.The ice wantingagain water.The streams of two planesa cross fading.I was so busytelling you this I forgotto mention the sky—how in the duskits steely edgeshave just begun to rust.Ode to BoudinYou are the chewing gumof God. You are the reasonI know that skinis only that, holdsmore than it meets.The heart of you is somethingI don’t quite getbut don’t want to. Evena fool like me can seeyour brokenbeauty, the wayout in this world where mostthings disappear, driveninto ground, you are groundalready, & like riceyou rise. Drunken deacon,sausage’s half-brother,jambalaya’s baby mama,you bring me backto the beginning, to where things liveagain. Homemade saviour,you fed me the daymy father sat under flowerswhite as the gloves of pallbearerstossed on his bier.Soon, hands will lower himinto ground richerthan even you.For now, root of allremembrance, your thick chainsets me spinning, thinkingof how, like the small,perfect, possible, silent soulyou spill outlike music, my daddydead, or grief,or both—afterward his sistersmy aunts dancingin the yard to a car radiotuned to zydecobeneath the pecan trees.

Media reviews

“Young is a fluid and bold interpreter of American culture and attitude, writing shrewd blues and droll lyrics that upend and undo catchphrases, familiar figures, and down home habits . . . Young reaches for myth but can’t resist wit, playing hilarious tribute to aunties and uncles, dealing in double entendres, capturing the topsy-turvy, otherworldly ambience of Las Vegas. And even while deeply mourning his father, he pulls a Neruda and writes funny, sly odes to the ordinary, focusing on food, metaphors for desire, the life force, and death’s endless consumption.” —Booklist

“[Young is] perhaps the most prominent African American poet of his generation . . . For all the humor, and all the autobiography, in this big book, Young digs deepest and sounds most powerful when he returns to the unlucky, unlovely, generalized personae of blues, who become in his hands at once a source of energy and a means for elegy.” —Publishers Weekly

“National Book Award finalist Young energizes the poems in his latest collection with subtle and not-so-subtle references to songs as well as to biblical passages . . . Ultimately, the collection effectively becomes an exercise in soul-searching even as it eulogizes Young’s father.” —Library Journal

About the author

Kevin Young is the author of five previous collections of poetry and the editor of Library of America's "John Berryman: ""Selected Poems, "the Everyman's Library Pocket Poets
anthologies "Blue Poems "and "Jazz Poems, "and "Giant Steps: The New Generation of African American Writers. "His book "Jelly Roll "was a finalist for the National Book Award and the "Los Angeles Times" Book Prize, and won the Paterson Poetry""Prize. His most recent collection, "For the Confederate Dead, "won the 2007 Quill Award for poetry and the Paterson Award for Sustained Literary Achievement. The recipient of a""Guggenheim fellowship, Young is currently the Atticus""Haygood Professor of English and Creative Writing and""curator of the Raymond Danowski Poetry Library at Emory""University in Atlanta.

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