Stock Photo: Cover May Be Different
Light Moving in Time: Studies in the Visual Aesthetics of Avant-Garde Film Paperback - 1992
by William C. Wees
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- Title Light Moving in Time: Studies in the Visual Aesthetics of Avant-Garde Film
- Author William C. Wees
- Binding Paperback
- Edition First Edition; F
- Publisher University of California Press, Berkeley
- Date 1992-04
- ISBN 9780520073685
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Stock Photo: Cover May Be Different
Light Moving in Time: Studies in the Visual Aesthetics of Avant-Garde Film
by Wees, W. C.
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- Paperback
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- Paperback
- ISBN 10 / ISBN 13
- 9780520073685 / 0520073681
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University of California Press, 1992. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,500grams, ISBN:0520073681
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Stock Photo: Cover May Be Different
Light Moving in Time : Studies in the Visual Aesthetics of Avant-Garde Film
by William C. Wees
- Used
- good
- Paperback
- Condition
- Used - Good
- Binding
- Paperback
- ISBN 10 / ISBN 13
- 9780520073685 / 0520073681
- Quantity Available
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Seattle, Washington, United States
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NZ$51.52FREE shipping to USA
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University of California Press, 1992. Paperback. Good. Disclaimer:A copy that has been read, but remains in clean condition. All pages are intact, and the cover is intact. The spine may show signs of wear. Pages can include limited notes and highlighting, and the copy can include previous owner inscriptions.
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Light Moving in Time : Studies in the Visual Aesthetics of Avant-Garde Film
by William C. Wees
- Used
- very good
- Paperback
- Condition
- Used - Very Good
- Binding
- Paperback
- ISBN 10 / ISBN 13
- 9780520073685 / 0520073681
- Quantity Available
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Seattle, Washington, United States
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NZ$51.52FREE shipping to USA
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University of California Press, 1992. Paperback. Very Good. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed.
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NZ$51.52
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Stock Photo: Cover May Be Different
Light Moving in Time: Studies in the Visual Aesthetics of Avant-Garde Film
by William C. Wees
- Used
- good
- Paperback
- Condition
- Used - Good
- Binding
- Paperback
- ISBN 10 / ISBN 13
- 9780520073685 / 0520073681
- Quantity Available
- 1
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HOUSTON, Texas, United States
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NZ$66.98FREE shipping to USA
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University of California Press, 1992-04-15. Paperback. Good.
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Stock Photo: Cover May Be Different
LIGHT MOVING IN TIME: STUDIES IN THE VISUAL AESTHETICS OF AVANT-GARDE FILM
by Wees, William C.
- Used
- Paperback
- Condition
- Used - Very good+
- Binding
- Paperback
- ISBN 10 / ISBN 13
- 9780520073685 / 0520073681
- Quantity Available
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Sarasota, Florida, United States
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NZ$111.04NZ$5.98 shipping to USA
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Berkeley: U. of CA P., 1992. Softcover. Very good+/No jacket issued.
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NZ$111.04
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Stock Photo: Cover May Be Different
Light Moving in Time: Studies in the Visual Aesthetics of Avant-Garde Film
by Wees, William C
- Used
- very good
- Paperback
- first
- Condition
- Used - Very Good
- Edition
- First Edition
- Binding
- Paperback
- ISBN 10 / ISBN 13
- 9780520073685 / 0520073681
- Quantity Available
- 1
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Hygiene, Colorado, United States
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NZ$284.00NZ$25.54 shipping to USA
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Berkeley, CA.: University of California Press, 1992. To view a film is to see another's seeing mediated by the technology and techniques of the camera. By manipulating the cinematic apparatus in unorthodox ways, avant-garde filmmakers challenge the standardized versions of seeing perpetuated by the dominant film industry and generate ways of seeing that are truer to actual human vision. Beginning with the proposition that the images of cinema and vision derive from the same basic elements--light, movement, and time--Wees argues that cinematic apparatus and human visual apparatus have significant properties in common. For that reason they can be brought into a dynamic, creative relationship which the author calls the dialectic of eye and camera. The consequences of this relationship are what Wees explores. Although previous studies have recognized the visual bias of avant-garde film, this is the first to place the visual aesthetics of avant-garde film in a long-standing, multidisciplinary discourse…
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