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Sterling A. Brown: Building the Black Aesthetic Tradition
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Sterling A. Brown: Building the Black Aesthetic Tradition Paperback - 1994

by Joanne V. Gabbin


From the publisher

Sterling A. Brown's achievement and influence in the field of American literature and culture are unquestionably significant. His poetry has been translated into Spanish, French, German, and Russian and has been read in literary circles throughout the world. He is also one of the principal architects of black criticism. His critical essays and books are seminal works that give an insider's perspective of literature by and about blacks. Leopold Sedar Senghor, who became familiar with Brown's poetry and criticism in the 1920s and 1930s, called him "an original militant of Negritude, a precursor of our movement." Yet Joanne V. Gabbin's book, originally published in 1985, remains the only study of Brown's work and influence. Gabbin sketches Brown's life, drawing on personal interviews and viewing his achievements as a poet, critic, and cultural griot. She analyzes in depth the formal and thematic qualities of his poetry, revealing his subtle adaptation of song forms, especially the blues. To articulate the aesthetic principles Brown recognized in the writings of black authors, Gabbin explores his identification of the various elements that have come together to create American culture.

From the rear cover

Sterling A. Brown's achievement and influence in the field of American literature and culture are unquestionably significant. His poetry has been translated into Spanish, French, German, and Russian and has been read in literary circles throughout the world. He is also one of the principal architects of black criticism. His critical essays and books are seminal works that give an insider's perspective of literature by and about blacks. Leopold Sedar Senghor, who became familiar with Brown's poetry and criticism in the 1920s and 1930s, called him "an original militant of Negritude, a precursor of our movement". Yet Joanne V. Gabbin's book, originally published in 1985, remains the only study of Brown's work and influence. Gabbin sketches Brown's life, drawing on personal interviews and viewing his achievements as a poet, critic, and cultural griot. She analyzes in depth the formal and thematic qualities of his poetry, revealing his subtle adaptation of song forms, especially the blues. To articulate the aesthetic principles Brown recognized in the writings of black authors, Gabbin explores his identification of the various elements that have come together to create American culture.

Details

  • Title Sterling A. Brown: Building the Black Aesthetic Tradition
  • Author Joanne V. Gabbin
  • Binding Paperback
  • Edition First thus- a tr
  • Pages 264
  • Volumes 1
  • Language ENG
  • Publisher University of Virginia Press, Charlottesville, VA, U.S.A.
  • Date 1994-07-29
  • ISBN 9780813915319 / 0813915317
  • Weight 0.82 lbs (0.37 kg)
  • Dimensions 8.36 x 5.75 x 0.81 in (21.23 x 14.61 x 2.06 cm)
  • Library of Congress subjects Authors, American - 20th century, African American authors
  • Library of Congress Catalog Number 93049520
  • Dewey Decimal Code B
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Sterling A.Brown: Building the Black Aesthetic Tradition

Sterling A.Brown: Building the Black Aesthetic Tradition

by Joanne V. Gabbin (author)

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STERLING A. BROWN: Building the Black Aesthetic Tradition.

STERLING A. BROWN: Building the Black Aesthetic Tradition.

by [Brown, Sterling A.] Gabbin, Joanne V.

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Charlottesville, VA:: University Press of Virginia,, (1994.). Fine in glossy illustrated wrappers (a new copy). First thus- a trade paperback. Originally published in 1985, this remains the most important study of the life and legacy of Sterling A. Brown, an African-American poet and scholar whose literary work presaged future generations of black authors and scholars. Leopold Senghor called him "an original militant of Negritude, a precursor of our movement" and in their foreword, John W. Blassingame and Henry Gates, Jr, describe his book of poetry "Southern Road" as the book which ended the Harlem Renaissance and moved black writing into the modernist lyrical mode. Notes, bibliography, index. xii, 245 pp.
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Sterling A. Brown: Building the Black Aesthetic Tradition
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Sterling A. Brown: Building the Black Aesthetic Tradition

by Joanne V. Gabbin

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Sterling A. Brown: Building the Black Aesthetic Tradition
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Sterling A. Brown: Building the Black Aesthetic Tradition

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Sterling A.Brown: Building the Black Aesthetic Tradition

Sterling A.Brown: Building the Black Aesthetic Tradition

by Joanne V. Gabbin

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Sterling A. Brown: Building the Black Aesthetic Tradition
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Sterling A. Brown: Building the Black Aesthetic Tradition

by Joanne V. Gabbin

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Sterling A. Brown: Building the Black Aesthetic Tradition
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Sterling A. Brown: Building the Black Aesthetic Tradition

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Sterling A. Brown: Building the Black Aesthetic Tradition
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Sterling A. Brown: Building the Black Aesthetic Tradition

by Gabbin, Joanne V

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