Albrecht Durer: His Engravings and Woodcuts by Arthur M. Hind - editor - 1911

Frederick A. Stokes Company. 1911. Hardcover. UsedAcceptable. Hardcover; staining, soiling, and edge wear to exterior; cracking to spine, which has been repaired; tear to side edge of second front endpaper; in ac ceptable condition with clean text and tight binding. .

Frederick A. Stokes Company, 1910-12-31. hardcover. Acceptable. 0x0x0. New York, 1910; gold paper covered boards; heavy edge and corner wear with board exposed; back strip chipped and falling apart; illustration pasted to front cover; 8vo, 7 3/4" to 9 3/4" tall; pencil notations on half-title page; gutter gap toward rear with string binding exposed; interior is clean and unmarked; not paginated;

William Heinemann, London, 1911, Very Good Hardcover / no dustjacket, 15 pages of text, 64 plates, 6.25" x 8.25", edgewear on boards, otherwise clean and tight.

New York: Frederick A. Stokes Co.. hardcover. Good. Mantegna, Andrea. No date, Paper-covered boards, with black and white pictorial onlay and gilt with titles. LXXV plates. Chipped on spine and with some rubbing. 021210B

UK: heinemann. Fair. Hardcover. 1911. name cut from top of title page spine and edge wear .

London U.K.: William Heinemann. Very Good with no dust jacket. 1912. First Edition. Hardcover. A clean, tight copy of the first printing. The binding is sound, and the pages are in excellent condition. The boards are lightly stained, but the book still looks good, because the cover art is so appealing. A handsome blank bookplate on the front flyleaf conceals the remains of one that was removed. Nice copy! Fast shipping worldwide, with tracking number provided. .

London: William Heinemann, 1911. First edition (hardback). 8vo (21cm by 15cm), 15pp. Frontispiece and 75 plates. Original grey boards, gilt titling to the front board, b&w plate inlaid on the front board. Binding rubbed and a little marked, foxing to the endpapers and the edges of the text block, small mark to the front free endpaper. Overall, this copy is in good condition.

London, UK: William Heinemann, 1912. 1st Edition . Hardcover. Very Good. 8vo - over 7¾ - 9¾" tall. Unpaginated. Beige paper-covered thick card; tipped in engraving on front, gilt titles on front and spine. Bumped spine ends and corners. Wear to covers. Internally neat, clean, bright and tight. No dust jacket. 8vo. Looks at one of the first exponents to work with the dry-point, a process little used until the time of Rembrandt. Tissue-protected frontispiece.

London: William Heinemann Ltd, 1911. No marks or inscriptions to contents. No creasing to covers or to spine. Very clean pages in a very tight binding with well rubbed, slightly marked boards, label removal mark to front and minor bumping to oversize corners. 147pp. With 15 pages text and reference plus 65 single-sided plates with captions opposite. Twenty-two are of Van Dyck's engravings and the rest are of other artists from this period including Rembrandt, Pontius, Muller, Suyderhoff, Nanteuil and more. Very scarce.. First Edition. Hard Cover. Very Good/No Jacket. 8.25 x 6.25 inches.

Boston: Museum of Fine Arts, 1913. Hardcover. Fine. Vol. 3, No. 3. Contents include "Marcantonio Raimondi" by Arthur M. Hind, "Whistler's Lithographs" by Thomas R. Way, "The Division of Prints of the Library of Congress" by Arthur Jeffrey Parsons, and "Charles Merion, Poet" by Willian Aspenwall Bradley. Bound in publisher's original red half leather with five raised bands and spine stamped in decorative gilt. Marbled covers ruled in gilt. Top edge gilt. Marbled endpapers. Bookplate tipped in on front fixed enpaper. Profusely illustrated. Front and back free endpapers, along with front edge of text block, have moderate foxing. 4 3/4 x 7 inches. 364 pages.