Search Results: the confession of a fool by strindberg august

New York, The Viking Press,, 1925-01-01. Hardcover. Good. Good hardcover. No DJ. Pages are clean and unmarked. Covers show light edge wear with rubbing/light scuffing. Hinges are cracked but still intact. Book spine slightly shelf-cocked.; 100% Satisfaction Guaranteed! Ships same or next business day!

CreateSpace Independent Publishing Platform, 2016. Paperback. Very Good. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed.

London: Stephen Swift And Company, 1912. 3rd Edition . Hardcover. Good/No Jacket. 12mo - over 6¾ - 7¾" tall. Third printing of this autobiographical novel, all during August 1912, testifying to the sudden interest in Strindberg's works during this period and the rush by numerous publishers to issue new editions and translations.Stock toned but otherwise all in generally good internal order. Neat gift inscription dated 1912 to fep. Green cloth lightly marked and a little dulled, with fading to spine. This is a charity sale for Friends Of Morston Church (reg.1099831). 12mo. 320pp + publisher's list.

New. New Book; Fast Shipping from UK; Not signed; Not First Edition; The The Confession of a Fool.

Paperback / softback. New.

U.K.: Stephen Swift and Company, 1912. 1st UK. Green bds with gilt title to spine and front. Sunning to spine and board edges. Some patchy soiling to bds. Bump/fraying to spine ends and corners. Prev owners name to ffep. Foxing. . Hard Cover. Good/No Jacket. 12mo - over 6�" - 7�" Tall.

HardPress Publishing, 2013-01-28. Paperback. Good.

HardPress Publishing, 2013-01-28. Paperback. Good.

Paperback / softback. New.

Methuen, 1913. Hardcover. Good/No Jacket. Boards are worn and marked. Front end page missing. Foxing. Excellent binding. Reprint.[R.K]. Our orders are shipped using tracked courier delivery services.

Boston: Small, Maynard & Company, 1913. First Edition . Hardcover. First US edition, very good+ with no dust jacket. Slightly roughened area in a small patch on the front endpaper, green cloth is very slightly rubbed at extremities. Translated by Ellie Schleussner. A short intoductory Preface reprinted from a 1911 Berlin literary article states that this title is the last link in the chain of Strindberg's autobiographical novels. The novel "depicts the struggle of a highly intellectual man to free himself from the slavery of sexuality, and from a woman who is a typical representative of her sex.

New.

New York: The Viking Press, 1925. First Edition, First Printing. Hardcover. Book condition is Good+; bound in brown cloth covered boards. Binding weak. Toning and small holes at spine. Some toning, scuffing, staining and edge wear to exterior. Interior is evenly toned throughout with foxing in some areas. Text is clean and unmarked. 8vo. 8 1/2"h x 6"w.

Boston: Small, Maynard & Co., 1913. First Edition. Hardcover. Very Good. Octavo. A tight, clean copy in bright gilt. Contains previous owner's inscription.

Kessinger Publishing, LLC, 2009-05-10. Paperback. Good.

Kessinger Publishing, LLC, 2010-09-10. Paperback. Good.

Paperback / softback. New.

Haskell House Pub Ltd. Good+ with no dust jacket. 1972. Hardcover. 0838313973 . Good overall condition. General light wear to cover and pages. No major blemishes. No writing. Foxing (heavy) to the edge of pages and endpapers. ; Studies In European Literature, No 56; 9 X 1 X 9 inches .

Hardback. New.

New York: Viking Press, 1925. Very Good/Very Good. New York: Viking Press, 1925. Later Edition. Octavo; publisher's cloth in pale grey decorative dust jacket printed in red and black; 327pp. Jacket extremities and spine panel rather toned with tiny chips along margins and a hint of soil, corners bumped, top textblock edge rather dusty, else a Very Good copy overall in the uncommon jacket. Reissue of the Swedish author's first autobiographical novel based on his marriage to Siri van Essen. According Boyd's preface, upon completion in 1888 Strindberg immediately wrote: "This is a terrible book. I fully admit it, for I regret that I ever wrote it. How did I write it? Because I felt under a powerful and justifiable compulsion to wash my corpse before it was laid in the coffin for ever" (p. 5). According to Boyd, however, the true reason was the author's fear that his friend and literary rival Gustaf af Geijerstam would turn Swindberg's marriage into a novel before he had the chance.