Typography, Private Press from Entropy Books

Iowa: The Windhover Press , 1971. Hardcover. Fine. Quarter creme linen with spine label and paste-paper covered boards, slipcase, small folio, unpaginated, One of 350 numbered copies printed in four colors by Kim Merker from Romanee type on Umbria paper at the Windhover Press. A fine copy in a near fine, lightly used cloth-covered slipcase. … Read more about this item

Lexington, KY: Windell Press, 1989. No Binding. Fine. Single sheet of Twinrocker Abaca handmade paper, folded twice to form four 7 1/2 by 5 1/2 inch printed pages. With a woodcut and printer's mark by Victor Hammer, and printed from his American Uncial and Andromache types by the Windell Press of Gay Reading on Hammer's Washington Press. Printed… Read more about this item

Ditchling: S. Dominic's Press, 1923. Hardcover. Very Good. Tan natural linen with cover label, 12mo., vii, 26, (1) pages, illustrated with three wood engravings by David Jones and six wood engravings by Eric Gill. A better than very good copy with slight cover use, in archival mylar.

Minneapolis: Pentagram Press. No Binding. Fine. Collection of John DePol ephemera. 12 items, 6 signed by DePol, consisting of wood engraved broadsides, note cards, announcements, bookplates, and a bookmark, all printed by Michael Tarachow at his Pentagram Press. None in the BCC DePol bibliography. Uniformly fine condition.

West Branch, IA: The Cummington Press , 1964. Hardcover. Near Fine. Quarter black morocco silver gilt with paste-paper covered boards, 40, (4) pages, illustrated with four etched copperplates by Keith Achepohl. One of 285 numbered copies printed by H.D. (Harry Duncan) from Cloister Old Style type. Signed by the artist. A near fine copy with… Read more about this item

(Vancouver): Heavenly Monkey, 2009. Soft cover. Fine. Sewn printed wrappers, large 4to., (4) pages. A notice or prospectus set and printed in two colors by Rollin Milroy. Of 50 copies, this is a special proof copy printed on handmade paper. A fine copy.

San Francisco: Fine Print, 1975. Soft cover. Near Fine. 63 issues, 1975-1990, Complete. This set withdrawn from the Kimbell Art Museum, and stamped throughout accordingly. Volumes 1-11 are stoutly bound and later volumes are loose in decorated paper board portfolios. Hard to find complete. Condition is near fine; most are fine. Additional shipping cost may be requested.

Frankfurt/New York: Z-Presse, 1968. Hardcover. Fine. Quarter vellum gilt with grey silk covered boards gilt. DW, 4to., (1), 100 specimens, (20) pages. Alphabetical quotations in many languages. One of 975 numbered copies printed in red and back on Hahnemuhle paper by Ludwig Oehms. American edition, signed by Zapf. Six-page prospectus loosely inserted. A fine… Read more about this item

Rochester, NY: Melbert B. Cary, Jr. Graphic Arts Collection, 1996. Hardcover. Fine. Dark green cloth gilt, small 4to., 33, (1) pages, illustrated with typographic specimens and facsimiles, one mounted. and with five original leaves with engravings by Rosenberger laid into a folder affixed to the rear pastedown. "A tribute to one of the great masters of punchcutting,… Read more about this item

Kalamazoo: Private Press and Typefoundry of Paul Hayden Duensing, 1970. No Binding. Near Fine. 34 leaves measuring 8 1/2 by 8 inches, gray printed card portfolio. One of 100 sets printed in color on white paper by Paul Hayden Duensing. 35 copies set aside for the Typocrafters. Leaves are fine, in the lightly used near… Read more about this item

Kalamazoo: Private Press and Typefoundry of Paul Hayden Duensing, 1967. Soft cover. Fine. Sewn grey printed wrappers, slender 8vo., (10) pages. One of 341 copies printed from Chancery Italic by Paul Hayden Duensing. A fine copy.

No place: Ed Fisher Jr., 1991. Soft cover. Fine. Stiff handmade printed wrappers, 8vo., (8) French-folded pages, illustrated with interlocking wood type in ten or more colors. Signed by Ed Fisher, graphic designer, teacher and mentor. A delightful accordian-folded book. A fine copy. Scarce.

Philadelphia: Taylor & Hessey, 1981. Soft cover. Fine. Sewn stiff printed wrappers, 8vo., 28, (3) pages, four facsimiles, one tipped-in. One of 400 numbered copies designed and printed by Henry Morris at the Bird & Bull Press. Prospectus laid in. A fine copy in archival mylar.

Oldham: Incline Press. Soft cover. Fine. Amate paper wrappers with lapping printed label, slender 4to., 25, (1) pages, illustrated with linocuts by John Watson. One of 200 numbered copies printed with Weiss, Bell and Perpetua types on Zerkall paper. Signed by the author and illustrator. An attractive. fine copy.